A 10-POINT BUCK SOUGHT SANCTUARY INSIDE A SOUTHERN MICHIGAN CHURCH ON THE OPENING DAY OF THE STATE’S DEER HUNTING SEASON

THE BUCK INSIDE THE CHURCH

On the first day of deer season for firearms in Michigan, a 10-point buck apparently sought to find refuge in Grace Christian Fellowship Church in Sturgis, breaking through a window and becoming a huge surprise to the pastors when they got to the church Monday morning.

“When Luke Eicher, Justin Wickey and Amanda Eicher arrived at the church this morning, they found signs of breaking and entering,” stated the church’s description on the video. “Little did they know that a 10-point buck had come for prayer in the auditorium on opening day of gun season.”

When the three walked into the church’s office Monday morning, they noticed light coming from a darkened window in the auditorium.

“When I peeked inside, I saw the window was broken and heard loud banging,” Amanda Eisher told Storyful. “My husband rushed in and found this 10-point buck. On the opening day of the gun season of all days!”

“I was just shocked by how high he could jump,” Amanda Eicher said. “I was amazed at how big he was.”

The buck didn’t appear to have any gunshot wounds and was bleeding just a bit from what appeared to be cuts from the glass, she told the Kalamazoo Gazette. Besides the broken window, the only other damage was blood stains on the carpet.

“There was some damage to the building and our pastors are a little traumatized,” the church reported. “But the buck left strengthened in the Lord to go face his battles.”

Credit: The Grace Christian Fellowship Church

A HIKER SAVED THE LIFE OF AN ALASKAN TIMBER WOLF—4 YEARS LATER THE WOLF STILL REMEMBERED HIM

Deep in the Alaskan wilderness, a prospector came to the rescue of an injured mother wolf and her pups, and a lasting connection is formed.

One spring morning many years ago, I had been prospecting for gold along Coho Creek on south-eastern Alaska’s Kupreanof Island, and as I emerged from a forest of spruce and hemlock, I froze in my tracks. No more than 20 paces away in the bog was a huge Alaskan timber wolf—caught in one of Trapper George’s traps.

Old George had died the previous week of a heart attack, so the wolf was lucky I had happened along. Confused and frightened at my approach, the wolf backed away, straining at the trap chain. Then I noticed some­thing else: It was a female, and her teats were full of milk. Somewhere there was a den of hungry pups waiting for their mother.

From her appearance, I guessed that she had been trapped only a few days. That meant her pups were probably still alive, surely no more than a few miles away. But I suspected that if I tried to release the wolf, she would turn aggressive and try to tear me to pieces. Here are the proven skills to survive any emergency.

So I decided to search for her pups instead and began to look for incoming tracks that might lead me to her den. Fortunately, there were still a few remaining patches of snow. After several moments, I spotted paw marks on a trail skirting the bog.

The tracks led a half ­mile through the forest, then up a rock­-strewn slope. I finally spotted the den at the base of an enormous spruce. There wasn’t a sound in­side. Wolf pups are shy and cautious, and I didn’t have much hope of luring them outside. But I had to try. So I began imitating the high­-pitched squeak of a mother wolf calling her young. No response. A few moments later, after I tried another call, four tiny pups appeared.

They couldn’t have been more than a few weeks old. I extended my hands, and they tentatively suckled at my fingers. Perhaps hunger had helped overcome their natural fear. Then, one by one, I placed them in a burlap bag and headed back down the slope.

When the mother wolf spotted me, she stood erect. Possibly picking up the scent of her young, she let out a high­-pitched, plaintive whine. I released the pups, and they raced to her. Within seconds, they were slurping at her belly.

What next? I wondered. The mother wolf was clearly suffering. Yet each time I moved in her direction, a menacing growl rumbled in her throat. With her young to protect, she was becoming belligerent. She needs nourishment, I thought. I have to find her something to eat.

I hiked toward Coho Creek and spotted the leg of a dead deer sticking out of a snowbank. I cut off a hindquarter, then re­turned the remains to nature’s ice­box. Toting the venison haunch back to the wolf, I whispered in a soothing tone, “OK, Mother, your dinner is served. But only if you stop growling at me. C’mon, now. Easy.” I tossed chunks of venison in her direction. She sniffed them, then gobbled them up.

Cutting hemlock boughs, I fashioned a rough shelter for myself and was soon asleep nearby. At dawn, I was awakened by four fluffy bundles of fur sniffing at my face and hands. I glanced toward the agitated moth­er wolf. If I could only win her confidence, I thought. It was her only hope.

Over the next few days, I divided my time between prospecting and trying to win the wolf’s trust. I talked gently with her, threw her more venison, and played with the pups. Little by little, I kept edging closer—though I was careful to re­main beyond the length of her chain. The big animal never took her dark eyes off me. “Come on, Mother,” I pleaded. “You want to go back to your friends on the mountain. Relax.”

At dusk on the fifth day, I delivered her daily fare of venison. “Here’s dinner,” I said softly as I approached. “C’mon, girl. Nothing to be afraid of.” Suddenly, the pups came bounding to me. At least I had their trust. But I was beginning to lose hope of ever winning over the mother. Then I thought I saw a slight wagging of her tail. I moved within the length of her chain. She remained motionless. My heart in my mouth, I sat down eight feet from her. One snap of her huge jaws and she could break my arm … or my neck. I wrapped my blanket around myself and slowly settled onto the cold ground. It was a long time before I fell asleep.

I awoke at dawn, stirred by the sound of the pups nursing. Gently, I leaned over and petted them. The mother wolf stiffened. “Good morning, friends,” I said tentatively. Then I slowly placed my hand on the wolf’s injured leg. She flinched but made no threatening move. This can’t be happening, I thought. Yet it was.

I could see that the trap’s steel jaws had imprisoned only two toes. They were swollen and lacerated, but she wouldn’t lose the paw—if I could free her.

“OK,” I said. “Just a little longer and we’ll have you out of there.” I applied pressure, the trap sprang open, and the wolf pulled free.

Whimpering, she loped about, favouring the injured paw. My experience in the wild suggested that the wolf would now gather her pups and vanish into the woods. But cautiously, she crept toward me. The pups nipped playfully at their mother as she stopped at my elbow. Slowly, she sniffed my hands and arms. Then the wolf began licking my fingers. I was astonished. This went against everything I’d ever heard about timber wolves. Yet, strangely, it all seemed so natural.

After a while, with her pups scurrying around her, the mother wolf was ready to leave and began to limp off toward the forest. Then she turned back to me.

“You want me to come with you, girl?” I asked. Curious, I packed my gear and set off.

Following Coho Creek for a few miles, we ascended Mount Kupreanof ­ until we reached an al­pine meadow. There, lurking in the forested perimeter, was a wolf pack—I counted nine adults and, judging by their playful antics, four nearly full­-grown pups. After a few minutes of greeting, the pack broke into howling. It was an eerie sound, ranging from low wails to high-pitched yodelling.

At dark, I set up camp. By the light of my fire and a glistening moon, I could see furtive wolf shapes dodging in and out of the shadows, eyes shining. I had no fear. They were merely curious. So was I.

I awoke at first light. It was time to leave the wolf to her pack. She watched as I assembled my gear and started walking across the meadow.

Reaching the far side, I looked back. The mother and her pups were sitting where I had left them, watching me. I don’t know why, but I waved. At the same time, the mother wolf sent a long, mournful howl into the crisp air.

Four years later, after serving in World War II, I returned to Coho Creek. It was the fall of 1945. After the horrors of the war, it was good to be back among the soaring spruce and breathing the familiar, bracing air of the Alaskan bush. Then I saw, hanging in the red cedar where I had placed it four years before, the now­-rusted steel trap that had ensnared the mother wolf. The sight of it gave me a strange feeling, and something made me climb Kupreanof Mountain to the meadow where I had last seen her. There, standing on a lofty ledge, I gave out a long, low wolf call—­something I had done many times before.

An echo came back across the distance. Again, I called. And again the echo reverberated, this time followed by a wolf call from a ridge about a half­ mile away.

I had no fear. The wolves were merely curious. So was I.

Then, far off, I saw a dark shape moving slowly in my direction. As it crossed the meadow, I could see it was a timber wolf. A chill spread through my whole body. I knew at once that familiar shape, even after four years. “Hello, old girl,” I called gently. The wolf edged closer, ears erect, body tense, and stopped a few yards off, her bushy tail wagging slightly.

Moments later, the wolf was gone. I left Kupreanof Island a short time after that, and I never saw the animal again. But the memory she left with me—vivid, haunting, a little eerie—will always be there, a reminder that there are things in nature that exist outside the laws and understanding of man.

With four tiny pups to feed, the mother wolf would need to stay nourished.

During that brief instant in time, this injured animal and I had some­how penetrated each other’s worlds, bridging barriers that were never meant to be bridged. There is no explaining experiences like this. We can only accept them and—because they’re tinged with an air of mystery and strangeness—per­haps treasure them all the more.

This story originally appeared in the May 1987 issue of Reader’s Digest.

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A Critically Endangered Sumatran Tiger Has Been Found Dead In An Animal Trap In Indonesia

MEMBERS OF NATURAL RESOURCES CONSERVATION AGENCY INSPECT A SUMATRAN TIGER FOUND DEAD AFTER BEING CAUGHT IN A SNARE TRAP IN PEKANBARU, RIAU

A critically endangered Sumatran Tiger was found dead after being caught in a trap on Indonesia’s Sumatra island, authorities said on Monday, in the latest setback for a species whose numbers are estimated to have dwindled to about 400.

A STUNNING SUMATRAN TIGER

The female Tiger, aged between 4 and 5 years, was found dead Sunday near Bukit Batu Wildlife Reserve in the Bengkalis district of Riau province, said Fifin Arfiana Jogasara, the head of Riau’s conservation agency.

Jogasara said an examination determined the Tiger died from dehydration five days after being caught in the snare trap, apparently set by a poacher, which broke one of its legs.

She said her agency will cooperate with law enforcement agencies in an investigation.

Sumatran Tigers, the most critically endangered Tiger subspecies, are under increasing pressure due to poaching as their jungle habitat shrinks, according to the IUCN Red List of Threatened Species. It estimated fewer than 400 Sumatran Tigers remain in the wild.

It was the latest killing of endangered animals on Sumatra island. Conservationists say the coronavirus pandemic has led to increased poaching as villagers turn to hunting for economic reasons.

Three Sumatran Tigers, including two cubs, were found dead in late August after being caught in traps in the Leuser Ecosystem Area, a region for tiger conservation in Aceh province.

In early July, a female Tiger was found dead with injuries caused by a snare trap in South Aceh district.

An Elephant was found without its head on July 11 in a palm plantation in East Aceh. Police arrested a suspected poacher along with four people accused of buying ivory from the dead animal.

AN ELEPHANT FOUND WITHOUT ITS HEAD AFTER BEING KILLED BY POACHERS

Aceh police also arrested four men in June for allegedly catching a Tiger with a snare trap and selling its remains for 100 million rupiah ($6,900). Days later, another Sumatran Tiger died after it ate a goat laced with rat poison in neighbouring North Sumatra province.

Via A P News

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Killed By Poachers Before It Had A Chance To Live. Pregnant Rhino And Calf Shot Dead By Poachers In Pilanesberg National Park

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No chance: An unborn Rhino calf who died in its mother’s womb after she and its sibling were shot dead by poachers in South Africa
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Heartbreaking: The markings around the mother’s horn show that the poachers had made an attempt to cut it off, but fled the scene when park staff arrived

The Rhino was heavily pregnant and roaming Pilanesberg National Park in Mogwase, north-west South Africa, with its calf when they were hunted down for their horns.

These heartbreaking images show an unborn Rhino calf who died after its mother and sibling were shot and killed by poachers.

Photos show the poachers began hacking off the mother’s prized horn, but they were interrupted by park rangers and fled before they had time to remove it.

When park staff tried to save the unborn calf, it was found to have died inside its mother’s womb.

Pilanesberg National Park wrote on its official Facebook page: ‘There are no words.

‘Mom and calf shot and killed by poachers. Horns are still on as the murderers fled the scene when they heard a game drive approach. Mom looks very pregnant as well. We are devastated.’

Pilanesberg National Park added in the post that a reward will be issued for any information leading to an arrest and prosecution of the poachers.

A spokesperson for the park told MailOnline that the mother Rhino was aged eight and the calf just two years old. The unborn foetus would have been due in February next year.

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Killed: The heavily pregnant Rhino and its calf lie by the roadside where they were shot

‘We have lost 16 Rhino and 3 unborn calves so far 2017 – that we are aware of,’ the spokesperson said.

‘This loss is not due to lack of interest or effort from Park management, as this is a large park with many valleys and hills, which is a difficult territory to operate in.’

Since 2007, more than 6,000 Rhinos have been shot and butchered for their horns in South Africa alone.

The majority of those have come in the last four years with around a thousand being killed every year since 2013.

Sometimes the Rhinos are shot dead, in other cases they are brought down with a tranquiliser gun before having their horn hacked off – leaving the Rhino to wake up and bleed to death painfully and slowly.

The province of KwaZulu-Natal, which has the greatest density of Rhino in South Africa, has seen 139 slaughtered already this year.

Despite countries such as China, Vietnam, South Korea, Malaysia and even India believing Rhino has medicinal values, repeated studies have not found any evidence to support the claims.

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Sad: Park rangers and guests gather at the heartbreaking scene in Pilanesberg

Rhino horns are made from a protein called keratin, the same substance that human fingernails and hair are made of. The horn is essentially just a compacted mass of hairs that continues to grow throughout the animal’s lifetime, just like human hair and nails.

It is similar in structure to horses’ hooves, turtle beaks, and cockatoo bills – however these animals are not hunted and slaughtered in the same way.

Tragically tradition and cultural beliefs in some Asian countries mean the demand for Rhino horn has not waned despite just some 20,000 white Rhino being left in the wild.

Poachers are now being supplied by international criminal gangs with sophisticated equipment to track and kill Rhinos. Based on the value of the Asian black market, Rhino horn price is estimated at $ 65,000 USD per kg*. In the near past, the Rhino horn price soared up around $65,000 per kilogram. This price hike turned the Rhino horn more valuable than gold and many other precious metals, also many times more worthy than Elephant ivory. (*2020 figures)

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Powys Animal Rescue Founder Among Volunteers Who Helped Transport Nowzad’s Dogs

Graham Geran  of the Wales Ape & Monkey Sanctuary in Powys collected a number of dogs.

GRAHAM GERAN WITH SOME OF NOWZAD’S DOGS

The founder of an animal rescue centre in Wales was among the volunteers who helped transport Pen Farthing’s cats and dogs.

Farthing arrived at Heathrow Airport with 173 rescues from his Nowzad animal charity in Kabul, Afghanistan, on Sunday, August 29, and was met by a number of vehicles involved in transporting them to their quarantine centres.

SOME OF THE DOGS WHO ARRIVED AT HEATHROW

Among them was Wales Ape & Monkey Sanctuary founder Graham Geran, who had volunteered to collect some of the dogs in a special transport vehicle free of charge.

The animal rescue, based in Powys, is on the list of premises and carriers authorised by the Government for rabies quarantine in England, Wales or Scotland.

Graham said “I was up at three o’clock in the morning as I had to be in Heathrow for 7:30… and then it was a case of waiting for the checks and then get them from the plane into the quarantine centre.”

There were said to around 18 other vehicles involved in transporting the animals.

Speaking about the dogs, Graham said: “They came out of the crate and they were straight up jumping on us.

GRAHAM WITH ONE OF THE RESCUED DOGS

Graham also revealed that he had received ‘numerous phones calls’ from people wishing to adopt the animals after it was discovered he was involved in transporting them.

He added: “People want to adopt the dogs, so they will go out to quarantine and to good homes.

The animals, with an estimated total of around 100 dogs and 70 cats, are in quarantine kennels across the UK, with hundreds of people looking to adopt them.

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A Pictorial Tribute To Wildlife Street Artist Roa

THE LIFE AND TIMES OF STREET ARTIST ROA

Roa, a hugely talented Belgian street artist from Ghent, is renowned for his giant black and white animal street art. Roa started off in the street art scene painting animals on abandoned buildings and warehouses in the isolated industrial areas of his hometown. Today, Roa’s animals may be found slumbering on the sides of semi derelict buildings and peering out from shop shutters in city streets all across the world from New York to Berlin and Warsaw to Paris.

Stockholm, Sweden.
ANONYMITY
Roa Lets His Work Do The talking

Street artist Roa is a muralist from Ghent, Belgium sprays beautiful illustrations of animals on buildings, walls and anything he can find in cities around the World. His work has often been recorded and photographed, but very little is known about the artist and even less is documented.

Renowned for his monumental black and white paintings of wildlife, ROA is a pseudonym of a Belgian street artist that has been leaving both accidental and intentional viewers in awe for years now. His hand painted, large scale and unique portrayals of rabbits, birds, rats, fish and other animals disquietly cohabit city streets, whilst his more disturbing images of skeletal or dead creatures directly reflect ROA’s pessimistic opinions of society. Although this street artist’s work is definitely a contender when discussing the most famous and recorded urban pieces in recent history, not much is known about this mysterious painter from Ghent who uses this anonymity to make sure both his artwork and spirit remain uncompromised.

At a very young age Roa remembers wanting to be an archaeologist or something adventurous and collecting little skulls from birds and rodents to draw at home. He grew up in the eighties and naturally was inspired by the American life; music, skating and so forth. The love for music, more in particular hip-hop, quickly joined his curiosity in graffiti. Like most muralists, he began by spraying throw-ups under bridges and walls. During his early years, Roa expressed an active, eclectic mix of styles. At the time, there was not prevailing movement in Belgium. As time went on, the scene’s evolution further evolved as foreign visitors left behind an assorted collection of talents and skills. Slowly but sure Roa became addicted to the nature of urban art.

Roa is primarily known for his strong obsession for animals and rodents. He often combines life, death, and life after death in his murals, which quickly distinguishes him amongst traditional muralists. His animals are painted to include skeleton and internal organs, making the sight even more realistic. The artist states, “Organs are the vital substances of our body and they represent a lot of the symbolism which I like!” One’s love for animals could not be expressed nearly as much as our artist Roa. This mysterious Belgian muralist has created hundreds of murals through Europe. He has also travelled to other locations around the world.

His preferred forms of methods to paint are by using spray paint or acrylic paint. In fact, most of his work is created through a mixture of black, white, and grey scale colours. At times, the muralist prefers to sketch, especially those large murals. He first began his artistic career by paining buildings and warehouses in his hometown. Nowadays, his distinctive black and white style street artwork can be found worldwide.


Some major cities, where his work can be found include London, New York, Berlin, Warsaw, Madrid, Moscow, Los Angeles, Mexico City and Paris.

Muralist Roa’s true obsession for animals is unparalleled and he uses this obsession to paint for inspiration. Roa uses native animals based on the location he is painting in. For example, if he goes to a specific location filled with roosters, like Mexico, then he will paint a rooster. Not only does this make him a standout artist, but his attention to detail is phenomenal. He truly has a pure passion for painting. Roa simply paints to paint- no other reason.

Carefully using the placement and the enlarging of the graffiti subject, ROA implies the cruelty and absurd relationship of humans and animals, as well as displaying the roots and origins of the depicted beings – this is what’s his art all about.

Roa’s work has been turning heads across the street art community by bringing birds, rodents, and other animals back into the consciousness in the areas they once inhabited. Although the street art is generally conveyed in a very natural matter, even his dead animal paintings seem at peace. Not only that, but his extra-large scale black and while local rodents may be viewing the image at work from nearby.

Roa’s anonymity has kept his work and his spirit free.

Enjoy Some Of Roa’s Art From Around The World

ROA BERLIN GERMANY
BERLIN, GERMANY
ROA MAKASUTA THE GAMBIA 1
MAKASUTA, THE GAMBIA
ROA JOHANNESBURG SA
JOHANNESBURG, SOUTH AFROCA
ROA BROOKLYN USA
BROOKLYN, USA
ROA BARCELONA SPIAN
BARCELONA, SPAIN
ROA WERCHTER BELGIUM
WERCHTER, BELGIUM
ROA GAMBIA
MAKASUTU, THE GAMBIA
Lenticular Street Art
LONDON, UK
roa-in-gambia1
MAKASUTU, THE GAMBIA
roa_warsaw_7_u_1000
WARSAW, RUSSIA
ROA OREBRO SWEDEN
OREBRO, SWEDEN
ROA MONTREAL
MONTREAL, CANADA

These are just SOME of the vast amount of murals that Roa has created. You can visit his Facebook page at Roa Street Artist.

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THE LIMBE WILDLIFE CENTRE URGENTLY NEEDS HELP TO SECURE THE FUTURE FOR CAMEROON’S WILDLIFE

SECURING A FUTURE FOR CAMEROON’S WILDLIFE

The Limbe Wildlife Centre (LWC) is a conservation education centre in Limbe, Cameroon. Above all, they provide a solution to law enforcement agencies for where to place wildlife seized from the illegal wildlife trade. For all elements of their work, they collaborate with state and national government, communities, and other international and local NGOs to protect habitats and endangered species. In brief, they  in-situ and ex-situ activities that include rescue, rehabilitation and reintroduction, conservation education and advocacy, law reinforcement, creating alternative livelihoods to hunting, and research. Through a holistic approach, the LWC aims to ensure the survival of Cameroon’s unique flora and fauna.

Ultimately, there are three main pillars to our work: rescue and rehabilitation, education and community.

The Limbe Wildlife Centre (LWC) is being hit hard by the current Covid-19 pandemic. With no volunteers or visitors coming to the centre, they have lost an important source of income, and much of their grant funding has been cut due to the global economic downturn. With travel and business restrictions happening across Cameroon, like in many other countries, they are struggling to obtain the food and medication needed every day for their rescued wildlife.

At this difficult time, they urgently need your helpThey are dependent on your kindness to continue providing daily essential care to the more than 450 animals currently in their care.

Protect All Wildlife are supporting LWC continue their amazing work by selling these unique Ltd Edition tops to raise funds.

Please help @LimbeWildlife rescue, rehabilitate & release primates & other animals orphaned by the illegal bush meat and pet trades. These beautiful Ltd Edition tops are available in a variety styles & colours at https://teezily.com/stores/limbe-wildlife-centre…. All profits help this wonderful charity.

Elephant Hit By Train In West Bengal’s Dooars Passes Away After Struggling For Hours.

Another man-animal conflict story was reported in West Bengal when a train engine hit an Elephant trying to cross the tracks, critically injuring the animal.

The incident happened in the Jalpaiguri district of the state.

The Banarhat-Nagrakata train route passes through a major Elephant corridor often leading to such tragic accidents involving Elephants.

The heart-wrenching video that surfaced on various social media platforms showed the critically injured Elephant trying hard to drag itself out of the railway track, as people watched in helplessness, after being hit by the engine of the intercity express.

The video shows the impact of the injury on the poor animal while people watch helplessly. In 2004, the Dooars line was converted from metre gauge to broad gauge; a move that saw a sharp increase in Elephant deaths.

But despite all the precautionary measures and efforts, such as speed limits and buzzers, trains on the Dooars route have continued to kill Elephants.

In the period between 2013 to June 2019, a total of 67 Elephants were killed in train-related accidents.

Actor Randeep Hooda said in a twitter post “The agony of the Elephant is quite evident in the video, the impact can be gauged by the damage to the engine.

I humbly urge the ministry to drastically reduce speed of trains through this area, humans can easily manage slight delay to keep wildlife safe”

For the sake of the Elephants, let’s hope they listen and reduce the speed of trains through the corridor.

A petition is being filed asking Indian Railway to review the permitted speed of 50kmph in the day time in dense forest areas. The maximum speed before the increase was 25kmpg and had shown a sharp decrease in the accidents and death of Elephants.

Please sign the petition HERE

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