Charity Auction Of Ricky Gervais Signed Pictures To Help Disabled Animals

This is your chance to bid on signed pictures very kindly donated by Ricky Gervais in our ‘Charity Auction To Help Disabled Animals’.

This is a sealed bid auction, so all you need to do is decide which item you would like to bid for and send us your bid with the LOT NUMBER and name by email to protectallwildlife@btinternet.com by 21:00 on the 31st of October 2024. We will email you to let you know if your bid is the highest. Postage costs will be calculated when the auction ends. If you need any more information etc please email Paul at protectallwildlife@btinternet.com.

All funds raised help support the Miracle’s Mission Centre for Disabled Animals and their work in the rescue, treatment and rehoming of sick, injured and disabled animals .

Happy bidding and good luck 🐾.

Lot 1

This is a signed After Life picture. The frame is for illustration purposes and not included.

Lot 2

This is a signed After Life picture. The frame is for illustration purposes and not included.

Lot 3

This is a signed picture of Tony and Brandy. The frame is for illustration purposes and not included.

Lot 4

This is a signed picture of Tony and Lisa (signed by Ricky and Kerry Godliman) . The frame is for illustration purposes and not included.

Lot 5

This is a signed picture of Ricky as David Brent in The Office. The frame is for illustration purposes and not included.

Lot 6

This is a signed picture of Ricky live. The frame is for illustration purposes and not included.

Lot 7

This is a signed picture of Ricky Gervais. The frame is for illustration purposes and not included.

Thank you for taking the time to look at our auction and happy bidding.

If you would like to make a donation to our fundraiser to help support our work you can do so at Fundraiser To Help Disabled Animals. Thank you.

Remembering Tigers: The 9th Book In The Critically Acclaimed Remembering Wildlife Series.

The Mission Is To Raise Awareness Of The Threats Facing Tigers Through The Stunning Images From Many Of The World’s Top Wildlife Photographers

Front Cover: Bengal Tiger in Bandhavgarh National Park, India by Sarah Skinner.

Remembering Wildlife has launched several charity photo books over the years that highlight endangered species and act to raise funds for the protection of the animals featured with the help of famous supporters and talented photographers around the world. Remembering Elephants, Remembering Rhinos, Remembering Great Apes, Remembering Lions, Remembering Cheetahs, Remembering African Wild Dogs, Remembering Bears have already been produced, and Remembering Leopards was funded and delivered last year. Remembering Tigers is the latest release in the series and will bring attention to Tiger species that are threatened around the world with the help of beautiful images of Tigers generously donated by many of the world’s top wildlife photographers.

The aim of the book is to raise awareness of the plight facing Tigers and to raise money to protect them, with all profits from book sales going to conservation.

Fighting Bengal tigers in Bandhavgarh National Park, India. Credit: Andy Parkinson/Remembering Tigers)

Weighing up to 260kg and measuring up to 3 metres in length, the Tiger is the largest of the big cats. It is found in Asia, from India – where two-thirds of all wild Tigers live – through to the Russian Far East and into China. Its habitat ranges from sub-tropical forests to snow-covered mountainous terrain. Numbers are increasing in some areas, thanks to conservation efforts, yet the Tiger is the least numerous of all the large wild cats and is listed as ‘endangered’ by the International Union for Conservation of Nature (IUCN).

The stunning colours of a Bengal Tiger superbly captured by Jami Tarris. Credit: Jami Tarris/Remembering Tigers.

Threats include loss of habitat, illegal hunting for the Chinese medicinal trade (Traditional Chinese Medicine), widespread killing of their prey for bushmeat, and retaliation for attacks on humans and livestock.

Founder and Producer of Remembering Wildlife Margot Raggett MBE said: “It’s an oft-quoted fact that there are more Tigers in captivity in the US than there are left in the world, a stark reminder of how the future of Tigers might end if conservationists do not continue their focus and their fight. Tigers are a bellwether for the health of an ecosystem. For every Tiger protected in the forest, there are plants, trees, insects, birds and other mammals who thrive.”

The book is endorsed by cricketing legend and conservation champion Kevin Pietersen MBE, who says on the back cover: “The Remembering Wildlife series goes from strength to strength, with Remembering Tigers sure to be another huge hit.”

The foreword for the book is by Tiger conservationist and author Valmik Thapar, who will also speak at the official book launch and whose brilliant documentary, My Tiger Family, was broadcast on the BBC in August. 

He said: “I hope Remembering Tigers, with its wonderful pictures, inspires a passion in those who see it and stirs them to new heights in order that this magnificent predator continues to walk our planet.”

The afterword is by Amit Sankhala, Trustee of the Tiger Trust, who said: “Seeing a Tiger in its natural habitat is a mesmerising encounter and I am thankful for Margot Raggett’s book which not only shows the beauty of the Tiger, but will also inspire the next generation of conservationists.”

Speaking alongside Margot Raggett MBE at the official launch event for Remembering Tigers at the Royal Geographical Society on 9 October will be Executive Director of Wildlife Protection Society of India (WPSI) Belinda Wright OBE; Tiger conservationist and author Valmik Thapar, and wildlife photographer and guide Paul Goldstein, who has raised hundreds of thousands of pounds by running 25 marathons dressed as a Tiger.

Remembering Tigers official book launch is in October 9th. Credit: Remembering Wildlife

It is estimated that there are around 10,000 captive Tigers in the US, more than the approximately 5,500 remaining in the wild. A vast majority of these captive Tigers are privately owned and living in people’s backyards, roadside attractions, and private breeding facilities. Only an estimated 6% of the US captive Tiger population resides in zoos and other facilities accredited by the Association of Zoos and Aquariums. Many of these private Tiger owners aren’t properly trained to care for wild animals, making the animals vulnerable to mistreatment and exploitation. Often these facilities will allow public contact with the Tigers, including photo ops and playtimes with tiger cubs. Not only is the welfare of these Tigers compromised, but public health and safety is at risk during these encounters.

A nine-month-old Bengal Tiger, which was seen roaming the lawns of suburban Houston, in a cage after being captured by authorities. Credit: Francois Picard

More than 280 wildlife photographers have contributed to the Remembering Wildlife series since it started in 2016, working under the banner Wildlife Photographers United. It has now raised over £1.15m GBP/$1.5m USD for 74 conservation projects in 33 countries. 

The photographers who have donated their images for this edition are: Harmit Ahuja, Theo Allofs, Daryl & Sharna Balfour, Adam Bannister, Chris Brunskill, Clive Burns, Will Burrard-Lucas, Alison Buttigieg, Vladimir Cech, Vladimir Cech Jr., Sandra Clayton, Marius J Coetzee, Shem Compion, Ben Cranke, Nick Dale, Tristan Dicks, Kevin Dooley, Kairav Engineer, Suzi Eszterhas, Mark Farrington, Sascha Fonseca, Arijeet Ghosh, Paul Goldstein, Sergey Gorshkov, Sagar Gosavi, Jan van der Greef, Todd Gustafson, Andrew Holt, Sebastian Kennerknecht, Suyash Keshari, Tim Laman, Anirudh Laxmipathy, Chien C. Lee, Tin Man Lee, Russell MacLaughlin & Shannon Wild, Nitish Madan, Thomas D. Mangelsen, Anuradha Marwah, Shivang Mehta, Dale R Morris, Dhritiman Mukherjee, Sunil V. Nair, Latika Nath, Tom Nicholson, Pete Oxford, Parinya Padungtin, Sarah Parker, Andy Parkinson, Graeme Purdy, Margot Raggett, Sachin Rai, Gaurav Ramnarayanan, Aly Rashid, Yashpal Rathore, Andy Rouse, Sabrina Schumann, Jonathan & Angela Scott, Khushboo Rahul Sharma, Anjali Singh, Archna Singh, Dicky Singh, Jaisal Singh, Andy Skinner, Sarah Skinner, Kim Sullivan, Tom Svensson, Jami Tarris, Valmik Thapar, Greg du Toit, Marlon du Toit, Turgay Uzer, Francesco Veronesi, Thomas Vijayan, Lance van de Vyver, James Warwick, Steve Winter, Art Wolfe

A stunning image of a Sumatran Tiger in Aceh Province, Northern Sumatra by Steve Winter. Credit: Steve Winter/Remembering Tigers.

Sales from Remembering Tigers will be used to fund conservation projects in areas where they are vulnerable.

Further information about Remembering Wildlife can be found here .

To find out more about the projects that Remembering Wildlife has already funded, click here

Each book costs £49.50 GBP (approximately $60 USD) and copies can be ordered at www.rememberingwildlife.com

How have the Remembering Wildlife books helped conservation

Together, the series has now sold more than 50,000 books and distributed more than £1.15 million GBP / $1.5 million USD to 74 different conservation projects in 33 countries across Africa, North and South America, Asia and Europe.

All books were prefunded by successful Kickstarter campaigns, meaning that all profits can be given straight to projects protecting the species that the book is focused on. 

Since the launch of Remembering Elephants in 2016, over 270 of the world’s best wildlife photographers have generously contributed to the series. Here is the full list of those whose images have appeared in one or more of the Remembering Wildlife titles so far:

Jane Addey, Karine Aigner, Oriol Alamany, Taylor Thomas Albright, Neil Aldridge, Maxime Aliaga, Theo Allofs, Matt Armstrong-Ford, Grant Atkinson, Andrew Aveley, Daniel Bailey, Daryl & Sharna Balfour, Adam Bannister, Brooke Bartleson, Stephen Belcher, Rick Beldegreen, Patrick Bentley, Sabine Bernert, Andy Biggs, Giorgio Bighi, Jayaprakash Bojan, Donal Boyd, Sean Brogan, Kate Brooks, Seyms Brugger, Volodymyr Burdiak, Matt Burrard-Lucas, Will Burrard-Lucas, Benoit Bussard, Alison Buttigieg, Marina Cano, Ayesha Cantor, Mark Cawardine, David Cayless, Vladimir Cech, Vladimir Cech Jr., Peter Chadwick, Paras Chandaria, Sam Clark, Alwyn Coates, Chad Cocking, Marius Coetzee, Martyn Colbeck, Marco Colombo, Shem Compion, Alain Compost, Keith Connelly, Rob Cottle, Ross Couper, Ben Cranke, Brendon Cremer, Mark Deeble & Victoria Stone, Tanja Dekker, Willem Dekker, Melanie Delamare, Peter Delaney, M & C Denis-Huot, Anja Denker, Richard Denyer, Tristan Dicks, Sebastián Di Doménico, Billy Dodson, Kevin Dooley, Mark Dumbleton, Julie Duncan, Michelle & Ken Dyball, Nicholas Dyer, Andy Edge, Kairav Engineer, Morkel Erasmus, Denise Eriksson, Amit Eshel, Suzi Eszterhas, Chris Fallows, Sascha Fonseca, James Gifford, Daisy Gilardini, Paul Goldstein, Sergey Gorshkov, Marc Graf, Fredrik Granath, Chris Grech, Jan van der Greef, Kim Griffin, Owen Grobler, Melissa Groo, Fabrice Guerin, Richard Guijt, Amy Gulick, Todd Gustafson, Josh Guyan, Drew Hamilton, Charlie Hamilton James, Thorsten Hanewald, Hilary Hann, Peter Haygarth, Tony Heald, Harman Singh Heer, Trish Hennessy, Naudé Heunis, Torie Hilley, Joshua Holko, Roger Hooper, Friedrich von Horsten, Andy Howe, Jabruson, Britta Jaschinski, Vicki Jauron, Brendon Jennings, Arnfinn Johansen, Morten Jørgensen, Paul Joynson-Hicks, Jocelin Kagan, Lakshitha Karunarathna, Kyriakos Kaziras, Steven Kazlowski, Sebastian Kennerknecht, Bob Keyser, Clement Kiragu, Agung Ganthar Kusumanto, Tim Laman, Lisa A. Langell, Frans Lanting, Behzad J. Larry, Chien Lee, Ole J Liodden, David Lloyd, Hannes Lochner, George Logan, Michael Lorentz, Nick Lyon, Piper Mackay, Russell MacLaughlin, Kate Malone, Thomas D. Mangelsen, Suhail Manji, Tin Man Lee, Johan Marais, Matt Maran, Tom Mason, Jo-Anne McArthur, Molly McCormick, Phil McFadden, Paul McKenzie, Shivang Mehta, Garry Mills, Sumeet Moghe, Marc Mol, Dale R Morris, Sue Morris, Margot Muir, Mike Muizebelt, Dhritiman Mukherjee, Yashas Narayan, Shareen Nash, Latika Nath, Elliott Neep, Heinrich Neumeyer, Nick Newman, Thomas Nicolon, Kyle de Nobrega, Jules Oldroyd, Hilary O’Leary, Marsel van Oosten, Xavier Ortega, Ben Osborne, Prelena Soma Owen, Pete Oxford, Chris Packham, Richard Packwood, Parinya Padungtin, Andy Parkinson, Dawn Perkins, Richard Peters, Mevan Piyasena, Julien Polet, Michael Poliza, Jacha Potgieter, Isak Pretorius, Graeme Purdy, Nick Rabjohn, Cameron Raffan, Margot Raggett, Abdul Rashid, Ian Redmond, Pierluigi Rizzato, Gregg Robinson, Dee Roelofsz, Fiona Rogers, Gurcharan Roopra, Matthew Roper, Daniel Rosengren, Andy Rouse, David Sandford, Nima Sarikhani, Joel Sartore, Melissa Schäfer, Chris Schmid, Yaron Schmid, Sabrina Schumann, Jonathan & Angela Scott, Pasan Senevirathne, Anup Shah, Ismail Shariff, Amy Shutt, Anjali Singh, Andy Skillen, Andy Skinner, Sarah Skinner, Paul Souders, Kathryn Sowerbutts, Brent Stapelkamp, William Steel, Jonas Stenqvist, Brent Stirton, Charl Stols, Sabine Stols, James Suter, Tom Svensson, Jami Tarris, Austin Thomas, Jessica Tingley Dunn, Roy Toft, Greg du Toit, Marlon du Toit, Steve & Ann Toon, Paolo Torchio, R.J. Turner, Christophe Vasselin, Albie Venter, Bertus Venter, Hendri Venter, Federico Veronesi, Francesco Veronesi, Thomas Vijayan, Fred Vogt, Marion Vollborn, Pim Volkers, Lance van de Vyver, Tami Walker, James Warwick, Tom Way, Marcus Westberg, Christopher Whittier, Staffan Widstrand, Shannon Wild, Jon Wilson, Steve Winter, Shannon Witz, Art Wolfe, Kim Wolhuter, Nelis Wolmarans, Ian Wood, and Jeffrey Wu.

All of the stunning images used in the books and exhibitions have been generously donated by the photographers, as their way to give back to the species they make their livings from photographing.

Margot Raggett, founder of Remembering Wildlife

I fell in love with wildlife and safaris many years before picking up a camera! In the 2000s, I worked in PR in London and used all my spare cash to book safaris to Africa, as I had become totally addicted to being in nature. It was when I inadvertently signed up to a photography-based safari in 2010 that everything changed for me. It was a trip to see Kenya’s ‘Great Migration’ led by Jonathan & Angela Scott and it was only a few days before I went, that I realised I was supposed to bring a camera. I bought a cheap kit camera & lens and headed to Kenya. It turned out that camera was no good at all for wildlife (it was a very short lens) but nonetheless, I was totally inspired by Jonathan & Angela’s photography. When I got home, I immediately upgraded my gear and signed up for a course at the London School of Photography to learn the basics and I’ve never looked back. For a few years I went on as many photographer-led trips as I could, to learn from the best and then in 2012, agreed a deal to work as a Photographer in Residence at a camp in the Maasai Mara called Entim Camp. At that point I started selling my photos and attracting followers on social media.  

It was in 2014 that everything changed for me once again. I had been working as a resident photographer in Kenya at that point for about three months a year, for three years, and it was at the end of one of those stays that I travelled to Laikipia to visit a friend. We were woken very early in camp by the sound of Hyenas going crazy and at first light, went to investigate. What I saw changed my life, It was an Elephant who had died from a poisoned arrow, likely  poachers had shot him but he’d got away, only to die a slow, painful death over the next few days. The Hyenas had started to eat his body and the sight – and the smell – was so shocking. I came to realise that poaching and the many other threats that wildlife faces are often hidden away from tourists and as a result, many like me at that point, had any idea how bad things really are. I was incredibly angry and upset and resolved to channel those emotions into something positive. That was the trigger for me to start work on what I thought would be a one-off book on Elephants, to raise awareness about poaching and funds for projects working to protect Elephants. I started to approach wildlife photographers I’d met in the field and invited them to donate an image each and it took off from there. 18 months later, Remembering Elephants was published. It sold out in 2 months and raised more than £100,000 and without me knowing it, a series was born. We’ve published seven more books since (Remembering Rhinos, Remembering Great Apes, Remembering Lions, Remembering Cheetahs , Remembering African Wild Dogs, Remembering Bears, Remembering Leopards) and Remembering Tigers will be published in October 2024. Nowadays I spend far less time in the field taking traditional wildlife pictures like before but rather, I spend more time visiting the projects we are able to support with our funds, so I can see how our money is making a difference.  

Margot was awarded an MBE in the The King’s Birthday Honours 2023 for services to International Wildlife Conservation.

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Margot Raggett MBE

Celebrity supporters of Remembering Wildlife


Remembering Wildlife Founder Margot Raggett with actor, filmmaker and animal conservationist Dan Richardson. Credit: Dan Richardson

Charity Auction Of Art To Help Disabled Animals

This is your chance to bid on beautiful original artworks in our ‘Charity Auction To Help Disabled Animals’.

This is a sealed bid auction, so all you need to do is decide which item you would like to bid for and send us your bid with the LOT NUMBER and name by email to protectallwildlife@btinternet.com by 21:00 on the 30th of June. We will email you to let you know if your bid is the highest. Postage costs will be calculated when the auction ends. If you need any more information etc please email Paul at protectallwildlife@btinternet.com.

All funds raised help support the Miracle’s Mission Centre for Disabled Animals and their work in the rescue, treatment and rehoming of sick, injured and disabled animals .

Happy bidding and good luck 🐾.

Lot 1

This is an ORIGINAL watercolour, pastel and pencil study of a Badger by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 59 x 42 cms.

A Badger by Milo ~ 2020.

Lot 2

This is an ORIGINAL watercolour, pastel and pencil study of a Cheetah by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 59 x 42 cms.

A Cheetah by Milo ~ 2020.

Lot 3

This is an ORIGINAL watercolour, pastel and pencil study of a Fox by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 42 x 59 cms. (#19).

Lot 4

This is an ORIGINAL watercolour, pastel and pencil study of a Clouded Leopard by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 57 x 42 cms. (#34).

A Clouded Leopard by Milo ~ 2020

Lot 5

This is an ORIGINAL watercolour, pastel and pencil study of a Jaguar by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 57 x 42 cms. (#8

A Jaguar by Milo ~ 2020.

Lot 6

This is an ORIGINAL watercolour, pastel and pencil study of a pair of Snow leopard cubs by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 42 x 59cms. (#26).

A pair of Snow Leopard cubs by Milo ~ 2020.

Lot 7

This is a stunning ORIGINAL watercolour, pastel and pencil study of a Snow Leopard by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 59×42 cms. (#7).

A Snow Leopard by Milo ~ 2020

Lot 8

This lot is ‘A Mother’s Love’, an adorable original watercolour, pastel and pencil of a Lioness and her cubs by wildlife artist Milo. This BEAUTIFUL piece is on high grade art paper measuring 30.5×27.6 cms. (#17).

A Mother’s Love by Milo ~ 2012

Lot 9

Who can resist ‘Those Eyes’? This delightful original watercolour, pastel and pencil study of a baby Orangutan is by Milo and is on high grade art paper measuring 59×42 cms. (#12).

‘Those Eyes’ by Milo ~ 2021.

Lot 10

This is a stunning ORIGINAL watercolour, pastel and pencil study of a Wolf by wildlife artist Milo. This beautiful piece is on high grade art paper measuring 59×42 cms. (#13).

A Wolf by Milo ~ 2021.

Lot 11

‘A Mother’s Love’ is an ORIGINAL watercolour, pastel and pencil study of a Giraffe and her baby by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 42 x 59 cms. (#18).

‘A Mother’s Love’ (Giraffe & Baby) by Milo ~ 2021.

Lot 12

This is an ORIGINAL watercolour, pastel and pencil study of a Giraffe by wildlife artist Milo. This BEAUTIFUL piece is on high grade art paper measuring 42 x 59 cms. (#25).

A Giraffe by Mido ~ 2020.

Lot 13

This is an ORIGINAL watercolour, pastel and pencil study of an Amur Leopard by wildlife artist Milo. This BEAUTIFUL piece is on high grade art paper measuring 59 x 42 cms. (#27).

An Amur Leopard by Milo ~ 2021.

Lot 14

This is an ORIGINAL watercolour, pastel and pencil study of a Sumatran Tiger by wildlife artist Milo. This BEAUTIFUL piece is on high grade art paper measuring 59 x 42 cms. (#1).

A Sumatran Tiger by Milo ~ 2019.

Lot 15

This is an ORIGINAL watercolour, pastel and pencil study of a beautiful pair of Cheetah cubs by wildlife artist Milo. This BEAUTIFUL piece is on high grade art paper measuring 59 x 42 cms. (#16).

A pair of Cheetah cubs by Milo ~ 2020.

Lot 16

This is an ORIGINAL pencil study of a Rhino by Dane Youkers . This beautiful piece measures 28 x 36 cms .

A Rhino by Dane Youkers ~2022.

Lot 17

‘Tails Erect’ by Wildlife Artist Carol Barrett. This ORIGINAL study of Warthogs is in watercolour and ink and is on Rhino Dung Paper! It is mounted and measures 40 x 30 cm.

‘Tails Erect’ by Carol Barrett.

Lot 18

This is an ORIGINAL watercolour study of a Badger by Diane Antoine. This beautiful piece measures 30 x 21 cms .

‘The Badger’ by Diane Antoine ~2020.

Lot 19

This is an ORIGINAL pencil study of a Wolf (artist unknown). This beautiful piece measures 30 x 21 cms .

A Wolf In Thought

Lot 20

This is an ORIGINAL study of an Elephant in pencil by Simon W. Atack. This BEAUTIFUL piece measures 30 x 21 cms and is mounted.

The Leader Of The Herd by Simon W. Atack.

Lot 21

This is an ORIGINAL study of an Elephant in pencil by presenter and author Fearne Cotton. This BEAUTIFUL piece measures 30 x 21 cms and is mounted.

Super Tusker by Fearne Cotton.

Lot 22

This is an ORIGINAL study of an Elephant in pencil by Jonathan Truss. This BEAUTIFUL piece measures 30 x 21 cms and is mounted.

Jumbo Sketch by Jonathan Truss.

Lot 23

‘Gentle Elephant’ is an ORIGINAL watercolour study by Anne Jolivet. This BEAUTIFUL piece measures 30 x 21 cms .

‘Gentle Elephant’ by Anne Jolivet ~ 2021.

Lot 24

This is an ORIGINAL watercolour study of an Elephant by Debra J. Hall. This BEAUTIFUL piece measures 30 x 21 cms .

An Elephant by Debra J. Hall ~ 2021.

Lot 25

‘The Animals Fight Back’ ORIGINAL watercolour Charito Lilley. This thought-provoking piece measures 40 x 30 cms

‘The Animals Fight Back’ by Charito Lilley ~ 2019.

Lot 26

This is a Limited Edition (No. 46/250) print is ‘Highland Monarch’ by Michael Demain. This stunning print measures 56 x 34 cms.

‘Highland Monarch’ by Michael Demain.

Lot 27

A beautiful print of Tiger cubs by Jan Ferguson. This piece measures 41 x 31 cms.

‘Tiger Cubs’ by Jan Ferguson.

Lot 28

A stunning Limited Edition print (No. 7/100) titled ‘Endangered Nobility’ by Kim Thompson. This beautiful study of the noble Lion measures 60 x 42 cms.

‘Endangered Nobility’ by Kim Thompson ~ 2011.

Lot 29

‘Mischief Maker’ is a beautiful Ltd Edition study of a playful Lion cub by Julie Rhodes. It is mounted and measures 56 x 38 cms.

‘Mischief Maker’ by Julie Rhodes.

Lot 30

The beautiful Butterflies In The Round by Cath Hodsman. This Limited Edition print measures 51 x 41 cms.

‘Butterflies In The Round’ by Cath Hodsman.

Lot 31

Street artist Sonny Sundancer’s gigantic painting of an Amur Leopard overlooked the city of Vladivostok, Russia and was part of his worldwide ‘To The Bone’ project aimed at raising awareness about endangered species.

This STUNNING piece of his work is caught brilliantly in this VERY Limited Edition of only 45 prints (No. 29/45) and measures 50 x 35 cms.

Amur Leopard street art by Sunny Sundancer ~ 2017.

Lot 32

In a very Limited Edition of only 75 prints (No. 6/75), this beautiful study of a Sumatran Tiger is by Nick Day. It measures 38 x 41 cms.

A Sumatran Tiger by Nick Day ~ 2015.

Lot 33

This is a stunning Limited Edition print of a commission for The Miracle’s Mission Rehabilitation Centre. This beautiful piece measures 30 x 21 cms.

THE MIRACLE’S MISSION REHABILITATION CENTRE

Thank you for taking the time to look at our auction and happy bidding.

If you would like to make a donation to our fundraiser to help support our work you can do so at Fundraiser To Help Disabled Animals. Thank you.

Remembering Leopards: The Latest In the Remembering Wildlife Books. The Mission Is To Raise Awareness Of The Threats Facing Leopards Through The Stunning Images From Many Of The World’s Top Wildlife Photographers

Front Cover: African Leopard by Mark Dumbleton in Sabi Sands Game Reserve, South Africa.

Remembering Wildlife has launched several charity photo books over the years that highlight endangered species and act to raise funds for the protection of the animals featured with the help of famous supporters and talented photographers around the world. Remembering Elephants, Remembering Rhinos, Remembering Great Apes, Remembering Lions, Remembering Cheetahs, and Remembering African Wild Dogs have already been produced, and Remembering Bears was funded and delivered last year. Remembering Leopards is the latest release in the series and will bring attention to Leopard species that are threatened around the world with the help of beautiful images of Leopards generously donated by many of the world’s top wildlife photographers

A mesmerising Leopard study by Roy Toft

This year the attention is turned to the eight species of Leopard: African, Amur, Arabian, Indian, Indochinese, Javan, Sri Lankan and Persian. Despite their adaptability, the global population and distribution is sadly in decline. They are now believed extinct in 23 of their 85 original range countries. As well as each of the sub-species, Remembering Leopards have also included images of Snow and Clouded Leopards too.

The International Union for Conservation of Nature (IUCN) classifies the Leopard as a Vulnerable species, and three of its subspecies are ranked as Critically Endangered. In addition, the Peer paper recommends that the status of another two subspecies be uplisted to the status of Critically Endangered and Endangered.  

Margot Raggett, founder and producer of Remembering Wildlife, said: “Despite their adaptability, the global population and distribution of leopards is sadly in decline. “They are now believed to be extinct in 23 of their 85 original range countries.

Habitat loss and fragmentation, the legal and illegal wildlife trades, traps, trophy hunting and human-wildlife conflict are among the leading threats to Leopards. Although found across Africa and Asia, they are now extinct across large swathes of their previous habitat.

The Making Of The Book

A crowdfunding appeal to produce the latest edition of a wildlife book series has broken previous records for this very popular project. The campaign launched on April 1 2023 and smashed its minimum target of £20,000 in just four minutes when it launched on 1 April. Remembering Wildlife says that within the first day, supporters had pledged more than £100,000, making Remembering Leopards the fastest funded of all the books in the series so far.

More than £1 million has been donated by the photobook series to protect endangered species since its launch in 2016, attracting famous supporters including Russell Crowe, Ricky Gervais and Michelle Pfeiffer.

“I’m blown away by the support our Kickstarter has had already and I promise everyone who has pledged their support that this will be the most beautiful book on Leopards the world has ever seen.”

Margot Raggett, founder and producer of Remembering Wildlife
“There is no greater friend to the animals than Ricky and we are deeply grateful for his on-going support and championing of the series!” ~ Margot Raggett/Remembering Wildlife
In Chobe National Park, Botswana, Hannes Lochner captured this Leopard looking skyward, as a flock of marabou storks flew overhead. Behind him, on the horizon, the sun sets over a swelteringly hot (50°C) day.

The photographers who have donated their images for this edition are:

Jane Addey, Oriol Alamany, Neil Aldridge, Theo Allofs, Matt Armstrong-Ford, Daryl & Sharna Balfour, Adam Bannister, Volodymyr Burdiak, Will Burrard-Lucas, Vladimir Cech Jr., Paras Chandaria, Chad Cocking, Marius J Coetzee, Shem Compion, Keith Connelly, Ben Cranke, Brendon Cremer, M & C Denis-Huot, Anja Denker, Tristan Dicks, Kevin Dooley, Greg du Toit, Marlon du Toit, Mark Dumbleton, Kairav Engineer, Morkel Erasmus, Amit Eshel, Suzi Eszterhas, Sascha Fonseca, James Gifford, Paul Goldstein, Sergey Gorshkov, Owen Gröbler, Richard Guijt, Todd Gustafson, Thorsten Hanewald, Hilary Hann, Trish Hennessy, Roger Hooper, Arnfinn Johansen, Lakshitha Karunarathna, Sebastian Kennerknecht, Agung Ganthar Kusumanto, Tim Laman, Frans Lanting, Behzad J Larry, Chien Lee, Hannes Lochner, Michael Lorentz, Piper Mackay, Russell MacLaughlin, Shivang Mehta, Garry Mills, Marc Mol, Yashas Narayan, Latika Nath, Heinrich Neumeyer, Pete Oxford, Parinya Padungtin, Richard Peters, Mevan Piyasena, Michael Poliza, Isak Pretorius, Margot Raggett, Abdul Rashid, Matthew Roper, Andy Rouse, Jonathan & Angela Scott, Pasan Senevirathne, Ismail Shariff, Anjali Singh, Harman Singh Heer, Andy Skinner, Sarah Skinner, James Suter, Tom Svensson, Roy Toft, Ann & Steve Toon, Paolo Torchio, Lance van de Vyver, Jan van der Greef, Marsel van Oosten, Christophe Vasselin, Federico Veronesi, Francesco Veronesi, Thomas Vijayan, Marion Vollborn, James Warwick, Marcus Westberg, Shannon Wild, Steve Winter, Art Wolfe and Nelis Wolmarans

Two Leopard brothers play fighting at Samburu National Reserve, Kenya. The shot was taken by photographer Trish Hennessy. The pair were initially playing in a bush before they climbed on top of the rocks on a hill to put on the show.

All profits from the sales of Remembering Leopards will be donated to projects protecting Leopards.

You can purchase your copy of the book at Remembering Leopards

Margot Raggett, founder of Remembering Wildlife

I fell in love with wildlife and safaris many years before picking up a camera! In the 2000s, I worked in PR in London and used all my spare cash to book safaris to Africa, as I had become totally addicted to being in nature. It was when I inadvertently signed up to a photography-based safari in 2010 that everything changed for me. It was a trip to see Kenya’s ‘Great Migration’ led by Jonathan & Angela Scott and it was only a few days before I went, that I realised I was supposed to bring a camera. I bought a cheap kit camera & lens and headed to Kenya. It turned out that camera was no good at all for wildlife (it was a very short lens) but nonetheless, I was totally inspired by Jonathan & Angela’s photography. When I got home, I immediately upgraded my gear and signed up for a course at the London School of Photography to learn the basics and I’ve never looked back. For a few years I went on as many photographer-led trips as I could, to learn from the best and then in 2012, agreed a deal to work as a Photographer in Residence at a camp in the Maasai Mara called Entim Camp. At that point I started selling my photos and attracting followers on social media.  

It was in 2014 that everything changed for me once again. I had been working as a resident photographer in Kenya at that point for about three months a year, for three years, and it was at the end of one of those stays that I travelled to Laikipia to visit a friend. We were woken very early in camp by the sound of hyenas going crazy and at first light, went to investigate. What I saw changed my life, It was an elephant who has died from a poisoned arrow, likely poachers had shot him but he’d got away, only to die a slow, painful death over the next few days. The hyenas had started to eat his body and the sight – and the smell – was so shocking. I came to realise that poaching and the many other threats that wildlife faces are often hidden away from tourists and as a result, many like me at that point, had any idea how bad things really are. I was incredibly angry and upset and resolved to channel those emotions into something positive. That was the trigger for me to start work on what I thought would be a one-off book on elephants, to raise awareness about poaching and funds for projects working to protect elephants. I started to approach wildlife photographers I’d met in the field and invited them to donate an image each and it took off from there. 18 months later, Remembering Elephants was published. It sold out in 2 months and raised more than £100,000 and without me knowing it, a series was born. We’ve published five more books since (Remembering Rhinos, Remembering Great Apes, Remembering Lions, Remembering Cheetahs and Remembering African Wild Dogs) and the 7th in the series, Remembering Bears, will be published in October 2022. More than $1.2m USD has been raised by the series for conservation so far. Over 200 photographers have now contributed to the series and producing and steering it, has become my life’s work. Nowadays I spend far less time in the field taking traditional wildlife pictures like before but rather, I spend more time visiting the projects we are able to support with our funds, so I can see how our money is making a difference.  

Source: Heroes of the extreme An interview with Margot Raggett. Gizmo, 2022.

Margot was awarded an MBE in the The King’s Birthday Honours 2023 for services to International Wildlife Conservation.

Margot Raggett MBE

You can purchase your copy of the book at REMEMBERING LEOPARDS

Therese Coffey: We Will Do All We Can To Help Trophy-Hunting Ban Become Law

The Environment Secretary offered assurances about the Hunting Trophies (Import Prohibition) Bill in a letter to campaigners.

The Government has pledged to do “all we can” to ensure a ban on trophy hunting imports becomes law amid fears pro-hunting peers could “wreck” the reforms.

Environment Secretary Therese Coffey said the Government will not support any further amendments to the Hunting Trophies (Import Prohibition) Bill.

The proposed legislation would prohibit bringing into the country body parts from species deemed of conservation concern.

The Bill, introduced by Conservative MP Henry Smith, has already cleared the House of Commons.

But a group of peers have raised concerns and tabled amendments that threaten to derail the proposals.

Time is running out to consider the Bill and it will fall if it does not receive royal assent before the current parliamentary session stops ahead of the King’s Speech on November 7.

Ms Coffey, in a letter to the Humane Society International/UK dated August 17, wrote: “It is a manifesto commitment to ban the import of hunting trophies from endangered animals and we are working hard to deliver.

“The Bill passed the Commons in March, with the Government’s support, and we will do all we can to support its progress through the House of Lords working with Baroness Fookes.

“I can confirm that we will not be supporting any further amendments to the Bill. I expect committee stage to progress next month.”

Conservative peer Lady Fookes is the Bill’s sponsor in the House of Lords.

Claire Bass, senior director of campaigns and public affairs at Humane Society International/UK, said: “There is a small and vocal group of pro-hunting peers doing their best to wreck this Bill, but we need the Government to remain focused on the almost 90% of the public who want this ban on the import of hunting trophies.

“The timing for this Bill is indeed extremely tight but we were encouraged to receive a letter from Environment Secretary Therese Coffey yesterday.”

No Friday sittings to consider private members’ bills are expected in the House of Lords in September, according to the Government whips’ office in the Lords.

With the party conference recess running until October 16, there are expected to be just two possible Friday sittings before the parliamentary session ends.

Mr Smith, MP for Crawley, said he is speaking with the Government in a bid to secure more parliamentary time for his Bill.

Conservative peer Lord Mancroft, who opposes the proposals, said amendments have been tabled in a bid to “clean up” or clarify parts of the “badly drafted” Bill.

He acknowledged it is “very possible” the amendments could halt the Bill’s progress and rated its chances as “less than 10%”.

Mr Smith said the planned legislation is about UK import policy, adding opponents have pressed “spurious arguments” about how trophy hunting helps conservation.

A House of Lords briefing paper on the Bill stated: “According to figures from the Cites (Convention on International Trade in Endangered Species of Wild Flora and Fauna) trade database, 190 hunting trophies from Cites-listed species were imported into the UK in 2020 (the most recent complete year for which figures are available).”

By Richard Wheeler – The Independent

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The South African National Parks (SANParks) Has Concluded Its Investigations Into Kruger Park Rangers And Others Filmed Abusing A Euthanised Leopard

RANGER SLAPPING DEAD LEOPARD

Kruger National Park rangers and other employees were filmed abusing a euthanised Leopard. SANParks says their conduct was contrary to the ethos of the organisation whose primary goal is to act as the custodian of wildlife.

Rangers and employees at the Kruger National Park have had their statements taken after a video surfaced of them allegedly abusing a euthanised Leopard.

According to SANParks, custodian of the Kruger Park, four of the nine people seen slapping the dead animal are SANParks employees — three are rangers and one is employed as an environmental monitor. One person seen striking the Leopard was a visitor to the park.

So far, one employee has been suspended pending disciplinary action. “Line management is finalising their approach with respect to other employees who may have transgressed SANParks’ policies and code of conduct,” SANParks said. Regarding the visitor, SANParks said it “is taking legal advice on sanctions to be imposed on him”.

The incident happened on Sunday after an employee from Shalati Concession was attacked by a Leopard. According to SANParks, this was the second attack on an employee in the park in the same area since June 26.

The Leopard was shot 30 metres from where the attack happened. “In line with SANParks’ policies and standard operating procedures on the management of damage-causing animals, a decision was taken to euthanise the Leopard to safeguard human life.”

RANGER SLAPPING DEAD LEOPARD

On the abuse of the animal’s body, SANParks said it “strongly condemns the behaviour depicted in the images captured on video … Such actions are contrary to the ethos of the organisation whose primary goal is to conserve biodiversity and act as the custodian of our wildlife”.

“The actions of these individuals run counter to conservation management and the ethos of the organisation. During the next week a campaign will be embarked upon among all employees within the Kruger National Park to reinforce these values and ethics.

“The organisation commits to managing the outcomes in an open and transparent manner while respecting the requirements of legislation pertaining to this regrettable incident.

THE SOUTH AFRICAN NATIONAL PARKS STATEMENT FOLLOWING THE INCIDENT

“Management is aiming to have a final report completed by Wednesday, July 27, which will make recommendations to the SANParks board on how to ensure such incidences do not occur again.”

South African National Parks (SANParks) Investigation Findings

The South African National Parks (SANParks) says it has concluded its investigations into the abuse of a dead leopard – which was caught on film in a video which went viral; and has started implementing corrective measures… including banning the man who was seen striking the leopard’s face from entering the Kruger National Park again.

In a statement, SANParks explained that the Leopard had been found and euthanised close to employees’ living quarters (within 100m), and a crowd had subsequently gathered around the dead Leopard. A Management Incident Report found that there was insufficient crowd control.

The Report made recommendations to SANParks on ways to minimise such incidents occurring in the future, and to limit human wildlife conflict.

According to the report, the official procedures had been followed correctly in deciding to euthanise the Leopard.

The problems arose during the recovery of the carcass after the Ranger Corporal asked for assistance from bystanders to get the carcass from the bushes. It was at this point that the incident – which took place in the administrative area of Skukuza – was filmed.

SANParks said: “All identified SANParks employees were questioned and submitted statements. The individual who struck the Leopard is not a SANParks employee and has been barred from entering the Kruger National Park. Disciplinary action is ongoing for all SANParks officials as well as the individual who filmed the incident.”

The Management Report also recommended that the KNP Code of Conduct should be revisited and communicated to visitors and residents; and that procedures should be amended to improve the response to crowd control situations following an animal being euthanised near to humans.

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STRANGER THAN FICTION -THE BOND BETWEEN A LEOPARD AND MOTHERLY COW

Advance science has no explanation for some of the mysteries of nature. An unprecedented strange relationship between a wild leopard and its prey -the cow observed in Antoli village in Vadodara district in Gujarat was one of such unbelievable mysteries.

The Unlikely Bond Between Predator And Prey

The story begins in the summer of 2002. The leopard sightings were reported regularly from Antoli, a village about 20 km. away from Jambughoda Sanctuary and 40 km. from Vadodara city. In Antoli, a female leopard had chosen to litter in a sugarcane field, surviving on pigs, rodents, Indian hare, domestic dogs, birds, large frogs and the like, with the occasional goat thrown in for good measure. The irrigated agricultural fields had tall crops most of the times, providing adequate hides, linkages with nearby ravines, and easy movement of the big carnivores. As every part of the forest is heavily grazed, the leopardesses do not find safe hide and move in deeper part of sugar cane field for safety of their cubs. Infact, sugar cane fields contribute significantly for reproduction of the leopards. Sometimes leopardess moves far away from the forest boundary to select such field in the villages for littering.

By September 2002, the complaints began to pour in thick and fast. As a result, the forest officers decided to do something to address the problem of the villagers. People from Antoli village reported that a leopard with a cub was seen frequently in the evening and night. Such complaints were normal in the region where man-animal conflict was common due to increase in the leopard’s population and absence of prey base in their habitats. In fragmented habitat or food scarce area, the leopard shift location and move away from original habitat to nearby area for some period to harvest food available in particular season. In such a situation, the Department avoided capturing the harmless animals. When complains reached the Forest Minister at Gandhinagar, the author was asked by the minister, Daulat Singh Desai to investigate the matter. After consulting the Chief Wildlife Warden, it was decided to capture the animal from the area. The trap cage with a live bait was arranged at a suitable site by the staff. First photo record with video was recorded by Manoj Thaker, a naturalist from Vadodara. The range forest officer, forester, Rohit Vyas, Honorary Wildlife Warden, Manoj Thakar, nature lovers from Vadodara and their friends spent several nights in the village and trapped the female leopard successfully at about 2 O’clock at night on 20th September 2002 and released it into a nearby forest in the early morning.

Is The Leopard About To Pounce On Its Prey?

The villagers witnessed trapping of the leopard and had a great relief but were unhappy as they lost an important guest with whom they had developed an intimacy. Also, the leopard was economical to them as they had a high crop yield because the cat’s presence in the village would protect damage of crop at night from jackals and wild boars.

 A month later the complaints began to pour in again. The villagers believed that the leopard caught was probably the mother of a young leopard that roamed the area. When the forest staff and wild lifers visited the village, they came across a story so strange that the author refused to believe it at first. The village was dominated by Patel, an upper caste community, and lower caste inhabited at the fringe of the settlement, as normally found in the Indian villages. A family belonging to backward caste lived in the fringe of habitation with a cow, a buffalo calf and two bullocks. The animals in the open field in front of the house had open access from agricultural fields from three sides. The elder of the family, about sixty years old, observed a leopard coming near the cow every night where both had a fearless interaction. He doubted first day but was surprised to see their behaviour next day. When he narrated the event, nobody believed his story. Subsequently, people witnessed an unnatural drama every day.

The author was told about this story by the Range Forest Officer and Rohit Vyas but did not believe till he witnessed the drama on 17th October. The old man narrated interesting observation that every night the leopard would draw near to a particular cow, which has body colour similar to leopard, in an open field in the front of his house. The two animals would approach each other at very close proximity and seemed to all intents and purposes to be interacting, without any aggression on the part of the leopard, or fear on part of the cow.

The cat and its bovine friend ‘met’ and, exactly as the villagers had stated, seemed totally at ease with each other. There were two bulls and a buffalo calf in the field, which were pointedly ignored by the leopard, but they were not at ease as the cow.

 The story of the unlikely friendship spread like wildfire and people from other villages started coming to witness the phenomenon. The roof of a nearby pucca house was the best vantage point to witness the two strange friends. People said they could approach the two from a distance of less than 10 m, provided no camera flashes were set off. The wildlife lovers and photographers routinely began visiting the village, photographs were taken, and the matter reported dutifully to forest officials.

The Bond

leading English daily even published the story on the front page, borrowing its headline from the title of a Hindi popular film, Ek chhoti si love story! (A small love story). But everyone was not quite comfortable with this situation. The elders in the village did not fear the cat, but worried that it might harm a child in the event of an encounter after dark. They did not want it harmed, but certainly wanted it taken away. People in Delhi also started asking their reporters about the news, but full truth was never published, except in an article written by the author in the Sanctuary Asia magazine published from Mumbai. A team of a news channel passed a whole night to film the drama, but the cat did not give any opportunity. The village became famous; people had no fear from the leopard. Several people, including the Chief Wildlife Warden, Pradeep Khanna visited the village and witnessed the strange behaviour during this period; the Forest Department decided to trap it by arranging cages in the village.

Just when the story had attracted so much attention, the leopard disappeared for about a week. When it returned though, naturalists were on hand to document the relationship on film. Every night, normally between 9.30 p.m. and 11.00 p.m., the leopard would approach the cow from the surrounding fields. The cow would usually raise its ears before the cat’s arrival, seemingly detecting its presence from a distance. Village dogs too would bark to announce the leopard’s imminent arrival. And when it did arrive, the cat would first observe the surroundings from a distance, then move closer to the cow, rub the body with the cow and gently sit near it. At times it could be heard making a low gurgling sound that was difficult to describe, but certainly seemed submissive in nature. The two animals would often butt each other playfully with their heads. Once the cow seemed annoyed and actually pushed the leopard hard with its horns. At this the leopard merely moved closer and resumed its gurgling!

 The cow would sometimes lick the cat on its head and neck. Indeed, to many observers, it seemed that the cow was behaving towards the leopard as she would towards her own calf. On occasion the leopard, its suspicious nature still on display, would find excitable humans, including photographers, uncomfortable and it would slink into the shelter of the fields. All night vigils revealed that five to six trips a night were normal and on one night she returned as many as a dozen times.

 The author spent a few nights to enjoy these strange things happening there. One night, he reached Antoli at nine o’clock along with Rohit Vyas, Manoj Thaker, Tadvi (RFO) and other people. He fixed his camera in a hut where an old man slept. His chair in the hut was at about 10 metres away from the spot where the cow was sitting. The cow was young with a good height and reddish brown in colour with a white belly. Barring black spots on the leopard, the colour of the cow was not much different from the big cat. The author waited in the hut for over an hour and the old man started snoring while having a sound sleep. The man had observed the behaviour of the leopard for about two months’ time and knew everything. He said before sleeping that the leopard normally comes at about 10 o’clock but sometimes earlier also. The electric supply went off when we occupied over position. After some time, there was some disturbance and we saw the leopard just sitting beside cow when torch was flashed. The leopard moved away in darkness. The light was flashed in the direction which was normally opted by the leopard for arrival. The author saw the big cat sitting on heap of paddy grass. Out of two bulls, one was tied between cow and paddy heap where leopard sat comfortably. The behaviour of the bull was different. It remained standing, attentive and breathing heavily looking at the leopard. The big cat just ignored the attentive action of the bull which kept on standing in a tense mood. For the bull, the leopard was unwanted and dangerous, although it was not as violent as a bull would normally become in the presence of a leopard. Perhaps, after observing behaviour of the two friends, the bull had less fear. The cow kept on sitting fearlessly; the leopard again came close to the cow, rubbed the body with her and sat beside it just like a calf normally sits close to her mother. The author came out from the hut and went on the roof to see both the drama. At night at about 2 O’ clock it was decided to return to Vadodara when the leopard disappeared in the darkness. In the next visit of the Chief Wildlife Warden, the events were photographed.

After a few days, the two photographers had developed a perfect understanding about the arrival of the leopard. Sensing the presence of human beings, sometimes a crowd of over three dozen, the cat coolly moved close to the cow. Many times they played with their heads and then sat close to each other. It is very difficult to explain the communication between them in words. The cow received the big cat like her calf that had come near the mother to get affection. The leopard sat close to the cow, sometimes joining her body and sometime below the mouth and neck of the cow. In most of the cases it was like a sub adult cat sitting with mother. Sometime, the leopard used foot to get cow in standing position. After passing some time, the animal used to disappear in the field in the darkness, perhaps due to the disturbance of the photographers but came back after some time. The relationship between the leopard and the cow grew which was never observed or reported in the past. Many time both played with their heads. The cow licked leopard several times, sometimes very heavily covering entire head and neck.

 During the observation from November to January, the staff employed two cages at strategic locations with baits inside. Because of the strange behaviour of the leopard, goat, dog, puppy, hen and even meat were tried as baits but leopard did not enter the cage to kill the animals, although it inspected moving around the cages. The mission of capturing the leopard did not yield any result. It was finally decided to capture the animal using a tranquilizing gun, but the animal stopped coming to the site before the plan was operationalized. In the meantime, I again visited the site with the Chief Wildlife Warden (CWW) on 2nd December and stayed there over the night to see the drama, but the leopard did not visit the spot. One day before the visit, people of the village had a cultural programme with drums and songs at the site at night. Probably this event disturbed the leopard as visits were not regular after the disturbance. I observed the behaviour closely again with the CWW on 31st January. On 20th December the leopard injured a goat in the cage from outside. In December and January, people reported that plenty of puppies disappeared at regular intervals from villages as winter was a season for abundant newborn dog pups. God knows, it might be a harvest season for our leopard.

 With observers now almost permanently positioned, we came to learn that the leopard visited the cow continuously from October 8 to 22 and then from November 4 to 29. For some reason, between November 30 and December 29, the leopard stayed away. But it was seen in the vicinity. Then in the third week of January, the leopard seemed to vanish but visited again in the last week of February and stayed with the cow till early morning. Attempts to capture it in November and December proved futile, the wary animal steadfastly refusing to enter cages set out with baits, though it once tried to kill a goat from outside the cage. After over a week of regular visit, the cat again disappeared in February but returned for one or two days in first week of March. Reports from villagers indicate that the animal also visited neighbouring villages to procure food, mainly dogs.

 Nature lovers maintained contact with the villagers to collect fresh information. But the leopard did not return to the cow for reasons not known to anybody. Few months passed but nothing was heard, except indirect evidences of the leopard visiting the village occasionally. People believed that two leopards occasionally visited the village in 2004 but it was difficult to say whether one of them was the same leopard. Once a leopard killed a cow in the village and ate partly. Perhaps it had become a mature large cat and got a mate somewhere, but nothing could be confirmed.

 So, what is this all about? How come a predator and prey behaved in this incredible way? There have been many varying interpretations for the strange behaviour. Some suggest the female leopard captured in August was the mother of the sub-adult female we had observed, though from the photographs, she does seem fully grown.

At Peace With One Another

We know least about the habit and behaviour of these animals; even we are not fully aware about some of the mysterious behaviour of human beings. I could not understand why the leopard regularly met the cow and behaved in a manner which was not believed by people. It was more surprising to me that why a cow accepted its enemy and loved like she loved her calves. The author believes the young leopard may have been affected by the absence of its own and somehow detected some maternal qualities in the cow, which would have reassured her and helped her cope without her own mother.

 P.M. Lad, ex Chief Wildlife Warden of Madhya Pradesh, who had spent his entire life with tigers and leopards, was surprised to know the fact. His wife had kept a tiger cub at her residence which became an adult from there. Lad again explained the view of his wife that the cow was probably imprinted on the young leopard at a very early age, prior to its hunting instincts having emerged and matured. This may have led to the unusual relationship, since the cow too perceived no threat at all. It is likely that the cow had never encountered a leopard before and did not therefore ‘know’ that the two were meant to be sworn enemies.

 No one will ever perhaps be able to state with confidence, just what the truth was, but it is clear that the behaviour of both cow and leopard was strange and downright unbelievable. And then of course this is India! People more knowledgeable than forest officers and field biologists insist that the two animals had shared a close relationship in their previous births. Some priests hinted at a supernatural relationship. But nature is not telling us anything. Nature is full of surprises; there may be some missing link and we know little about it. Who knows about the truth? But such an unbelievable and unprecedented event was worthwhile to mention in this article/blog for future benefits of the people.

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