Charity Auction Of Ricky Gervais Signed Pictures To Help Disabled Animals

This is your chance to bid on signed pictures very kindly donated by Ricky Gervais in our ‘Charity Auction To Help Disabled Animals’.

This is a sealed bid auction, so all you need to do is decide which item you would like to bid for and send us your bid with the LOT NUMBER and name by email to protectallwildlife@btinternet.com by 21:00 on the 31st of October 2024. We will email you to let you know if your bid is the highest. Postage costs will be calculated when the auction ends. If you need any more information etc please email Paul at protectallwildlife@btinternet.com.

All funds raised help support the Miracle’s Mission Centre for Disabled Animals and their work in the rescue, treatment and rehoming of sick, injured and disabled animals .

Happy bidding and good luck 🐾.

Lot 1

This is a signed After Life picture. The frame is for illustration purposes and not included.

Lot 2

This is a signed After Life picture. The frame is for illustration purposes and not included.

Lot 3

This is a signed picture of Tony and Brandy. The frame is for illustration purposes and not included.

Lot 4

This is a signed picture of Tony and Lisa (signed by Ricky and Kerry Godliman) . The frame is for illustration purposes and not included.

Lot 5

This is a signed picture of Ricky as David Brent in The Office. The frame is for illustration purposes and not included.

Lot 6

This is a signed picture of Ricky live. The frame is for illustration purposes and not included.

Lot 7

This is a signed picture of Ricky Gervais. The frame is for illustration purposes and not included.

Thank you for taking the time to look at our auction and happy bidding.

If you would like to make a donation to our fundraiser to help support our work you can do so at Fundraiser To Help Disabled Animals. Thank you.

Remembering Tigers: The 9th Book In The Critically Acclaimed Remembering Wildlife Series.

The Mission Is To Raise Awareness Of The Threats Facing Tigers Through The Stunning Images From Many Of The World’s Top Wildlife Photographers

Front Cover: Bengal Tiger in Bandhavgarh National Park, India by Sarah Skinner.

Remembering Wildlife has launched several charity photo books over the years that highlight endangered species and act to raise funds for the protection of the animals featured with the help of famous supporters and talented photographers around the world. Remembering Elephants, Remembering Rhinos, Remembering Great Apes, Remembering Lions, Remembering Cheetahs, Remembering African Wild Dogs, Remembering Bears have already been produced, and Remembering Leopards was funded and delivered last year. Remembering Tigers is the latest release in the series and will bring attention to Tiger species that are threatened around the world with the help of beautiful images of Tigers generously donated by many of the world’s top wildlife photographers.

The aim of the book is to raise awareness of the plight facing Tigers and to raise money to protect them, with all profits from book sales going to conservation.

Fighting Bengal tigers in Bandhavgarh National Park, India. Credit: Andy Parkinson/Remembering Tigers)

Weighing up to 260kg and measuring up to 3 metres in length, the Tiger is the largest of the big cats. It is found in Asia, from India – where two-thirds of all wild Tigers live – through to the Russian Far East and into China. Its habitat ranges from sub-tropical forests to snow-covered mountainous terrain. Numbers are increasing in some areas, thanks to conservation efforts, yet the Tiger is the least numerous of all the large wild cats and is listed as ‘endangered’ by the International Union for Conservation of Nature (IUCN).

The stunning colours of a Bengal Tiger superbly captured by Jami Tarris. Credit: Jami Tarris/Remembering Tigers.

Threats include loss of habitat, illegal hunting for the Chinese medicinal trade (Traditional Chinese Medicine), widespread killing of their prey for bushmeat, and retaliation for attacks on humans and livestock.

Founder and Producer of Remembering Wildlife Margot Raggett MBE said: “It’s an oft-quoted fact that there are more Tigers in captivity in the US than there are left in the world, a stark reminder of how the future of Tigers might end if conservationists do not continue their focus and their fight. Tigers are a bellwether for the health of an ecosystem. For every Tiger protected in the forest, there are plants, trees, insects, birds and other mammals who thrive.”

The book is endorsed by cricketing legend and conservation champion Kevin Pietersen MBE, who says on the back cover: “The Remembering Wildlife series goes from strength to strength, with Remembering Tigers sure to be another huge hit.”

The foreword for the book is by Tiger conservationist and author Valmik Thapar, who will also speak at the official book launch and whose brilliant documentary, My Tiger Family, was broadcast on the BBC in August. 

He said: “I hope Remembering Tigers, with its wonderful pictures, inspires a passion in those who see it and stirs them to new heights in order that this magnificent predator continues to walk our planet.”

The afterword is by Amit Sankhala, Trustee of the Tiger Trust, who said: “Seeing a Tiger in its natural habitat is a mesmerising encounter and I am thankful for Margot Raggett’s book which not only shows the beauty of the Tiger, but will also inspire the next generation of conservationists.”

Speaking alongside Margot Raggett MBE at the official launch event for Remembering Tigers at the Royal Geographical Society on 9 October will be Executive Director of Wildlife Protection Society of India (WPSI) Belinda Wright OBE; Tiger conservationist and author Valmik Thapar, and wildlife photographer and guide Paul Goldstein, who has raised hundreds of thousands of pounds by running 25 marathons dressed as a Tiger.

Remembering Tigers official book launch is in October 9th. Credit: Remembering Wildlife

It is estimated that there are around 10,000 captive Tigers in the US, more than the approximately 5,500 remaining in the wild. A vast majority of these captive Tigers are privately owned and living in people’s backyards, roadside attractions, and private breeding facilities. Only an estimated 6% of the US captive Tiger population resides in zoos and other facilities accredited by the Association of Zoos and Aquariums. Many of these private Tiger owners aren’t properly trained to care for wild animals, making the animals vulnerable to mistreatment and exploitation. Often these facilities will allow public contact with the Tigers, including photo ops and playtimes with tiger cubs. Not only is the welfare of these Tigers compromised, but public health and safety is at risk during these encounters.

A nine-month-old Bengal Tiger, which was seen roaming the lawns of suburban Houston, in a cage after being captured by authorities. Credit: Francois Picard

More than 280 wildlife photographers have contributed to the Remembering Wildlife series since it started in 2016, working under the banner Wildlife Photographers United. It has now raised over £1.15m GBP/$1.5m USD for 74 conservation projects in 33 countries. 

The photographers who have donated their images for this edition are: Harmit Ahuja, Theo Allofs, Daryl & Sharna Balfour, Adam Bannister, Chris Brunskill, Clive Burns, Will Burrard-Lucas, Alison Buttigieg, Vladimir Cech, Vladimir Cech Jr., Sandra Clayton, Marius J Coetzee, Shem Compion, Ben Cranke, Nick Dale, Tristan Dicks, Kevin Dooley, Kairav Engineer, Suzi Eszterhas, Mark Farrington, Sascha Fonseca, Arijeet Ghosh, Paul Goldstein, Sergey Gorshkov, Sagar Gosavi, Jan van der Greef, Todd Gustafson, Andrew Holt, Sebastian Kennerknecht, Suyash Keshari, Tim Laman, Anirudh Laxmipathy, Chien C. Lee, Tin Man Lee, Russell MacLaughlin & Shannon Wild, Nitish Madan, Thomas D. Mangelsen, Anuradha Marwah, Shivang Mehta, Dale R Morris, Dhritiman Mukherjee, Sunil V. Nair, Latika Nath, Tom Nicholson, Pete Oxford, Parinya Padungtin, Sarah Parker, Andy Parkinson, Graeme Purdy, Margot Raggett, Sachin Rai, Gaurav Ramnarayanan, Aly Rashid, Yashpal Rathore, Andy Rouse, Sabrina Schumann, Jonathan & Angela Scott, Khushboo Rahul Sharma, Anjali Singh, Archna Singh, Dicky Singh, Jaisal Singh, Andy Skinner, Sarah Skinner, Kim Sullivan, Tom Svensson, Jami Tarris, Valmik Thapar, Greg du Toit, Marlon du Toit, Turgay Uzer, Francesco Veronesi, Thomas Vijayan, Lance van de Vyver, James Warwick, Steve Winter, Art Wolfe

A stunning image of a Sumatran Tiger in Aceh Province, Northern Sumatra by Steve Winter. Credit: Steve Winter/Remembering Tigers.

Sales from Remembering Tigers will be used to fund conservation projects in areas where they are vulnerable.

Further information about Remembering Wildlife can be found here .

To find out more about the projects that Remembering Wildlife has already funded, click here

Each book costs £49.50 GBP (approximately $60 USD) and copies can be ordered at www.rememberingwildlife.com

How have the Remembering Wildlife books helped conservation

Together, the series has now sold more than 50,000 books and distributed more than £1.15 million GBP / $1.5 million USD to 74 different conservation projects in 33 countries across Africa, North and South America, Asia and Europe.

All books were prefunded by successful Kickstarter campaigns, meaning that all profits can be given straight to projects protecting the species that the book is focused on. 

Since the launch of Remembering Elephants in 2016, over 270 of the world’s best wildlife photographers have generously contributed to the series. Here is the full list of those whose images have appeared in one or more of the Remembering Wildlife titles so far:

Jane Addey, Karine Aigner, Oriol Alamany, Taylor Thomas Albright, Neil Aldridge, Maxime Aliaga, Theo Allofs, Matt Armstrong-Ford, Grant Atkinson, Andrew Aveley, Daniel Bailey, Daryl & Sharna Balfour, Adam Bannister, Brooke Bartleson, Stephen Belcher, Rick Beldegreen, Patrick Bentley, Sabine Bernert, Andy Biggs, Giorgio Bighi, Jayaprakash Bojan, Donal Boyd, Sean Brogan, Kate Brooks, Seyms Brugger, Volodymyr Burdiak, Matt Burrard-Lucas, Will Burrard-Lucas, Benoit Bussard, Alison Buttigieg, Marina Cano, Ayesha Cantor, Mark Cawardine, David Cayless, Vladimir Cech, Vladimir Cech Jr., Peter Chadwick, Paras Chandaria, Sam Clark, Alwyn Coates, Chad Cocking, Marius Coetzee, Martyn Colbeck, Marco Colombo, Shem Compion, Alain Compost, Keith Connelly, Rob Cottle, Ross Couper, Ben Cranke, Brendon Cremer, Mark Deeble & Victoria Stone, Tanja Dekker, Willem Dekker, Melanie Delamare, Peter Delaney, M & C Denis-Huot, Anja Denker, Richard Denyer, Tristan Dicks, Sebastián Di Doménico, Billy Dodson, Kevin Dooley, Mark Dumbleton, Julie Duncan, Michelle & Ken Dyball, Nicholas Dyer, Andy Edge, Kairav Engineer, Morkel Erasmus, Denise Eriksson, Amit Eshel, Suzi Eszterhas, Chris Fallows, Sascha Fonseca, James Gifford, Daisy Gilardini, Paul Goldstein, Sergey Gorshkov, Marc Graf, Fredrik Granath, Chris Grech, Jan van der Greef, Kim Griffin, Owen Grobler, Melissa Groo, Fabrice Guerin, Richard Guijt, Amy Gulick, Todd Gustafson, Josh Guyan, Drew Hamilton, Charlie Hamilton James, Thorsten Hanewald, Hilary Hann, Peter Haygarth, Tony Heald, Harman Singh Heer, Trish Hennessy, Naudé Heunis, Torie Hilley, Joshua Holko, Roger Hooper, Friedrich von Horsten, Andy Howe, Jabruson, Britta Jaschinski, Vicki Jauron, Brendon Jennings, Arnfinn Johansen, Morten Jørgensen, Paul Joynson-Hicks, Jocelin Kagan, Lakshitha Karunarathna, Kyriakos Kaziras, Steven Kazlowski, Sebastian Kennerknecht, Bob Keyser, Clement Kiragu, Agung Ganthar Kusumanto, Tim Laman, Lisa A. Langell, Frans Lanting, Behzad J. Larry, Chien Lee, Ole J Liodden, David Lloyd, Hannes Lochner, George Logan, Michael Lorentz, Nick Lyon, Piper Mackay, Russell MacLaughlin, Kate Malone, Thomas D. Mangelsen, Suhail Manji, Tin Man Lee, Johan Marais, Matt Maran, Tom Mason, Jo-Anne McArthur, Molly McCormick, Phil McFadden, Paul McKenzie, Shivang Mehta, Garry Mills, Sumeet Moghe, Marc Mol, Dale R Morris, Sue Morris, Margot Muir, Mike Muizebelt, Dhritiman Mukherjee, Yashas Narayan, Shareen Nash, Latika Nath, Elliott Neep, Heinrich Neumeyer, Nick Newman, Thomas Nicolon, Kyle de Nobrega, Jules Oldroyd, Hilary O’Leary, Marsel van Oosten, Xavier Ortega, Ben Osborne, Prelena Soma Owen, Pete Oxford, Chris Packham, Richard Packwood, Parinya Padungtin, Andy Parkinson, Dawn Perkins, Richard Peters, Mevan Piyasena, Julien Polet, Michael Poliza, Jacha Potgieter, Isak Pretorius, Graeme Purdy, Nick Rabjohn, Cameron Raffan, Margot Raggett, Abdul Rashid, Ian Redmond, Pierluigi Rizzato, Gregg Robinson, Dee Roelofsz, Fiona Rogers, Gurcharan Roopra, Matthew Roper, Daniel Rosengren, Andy Rouse, David Sandford, Nima Sarikhani, Joel Sartore, Melissa Schäfer, Chris Schmid, Yaron Schmid, Sabrina Schumann, Jonathan & Angela Scott, Pasan Senevirathne, Anup Shah, Ismail Shariff, Amy Shutt, Anjali Singh, Andy Skillen, Andy Skinner, Sarah Skinner, Paul Souders, Kathryn Sowerbutts, Brent Stapelkamp, William Steel, Jonas Stenqvist, Brent Stirton, Charl Stols, Sabine Stols, James Suter, Tom Svensson, Jami Tarris, Austin Thomas, Jessica Tingley Dunn, Roy Toft, Greg du Toit, Marlon du Toit, Steve & Ann Toon, Paolo Torchio, R.J. Turner, Christophe Vasselin, Albie Venter, Bertus Venter, Hendri Venter, Federico Veronesi, Francesco Veronesi, Thomas Vijayan, Fred Vogt, Marion Vollborn, Pim Volkers, Lance van de Vyver, Tami Walker, James Warwick, Tom Way, Marcus Westberg, Christopher Whittier, Staffan Widstrand, Shannon Wild, Jon Wilson, Steve Winter, Shannon Witz, Art Wolfe, Kim Wolhuter, Nelis Wolmarans, Ian Wood, and Jeffrey Wu.

All of the stunning images used in the books and exhibitions have been generously donated by the photographers, as their way to give back to the species they make their livings from photographing.

Margot Raggett, founder of Remembering Wildlife

I fell in love with wildlife and safaris many years before picking up a camera! In the 2000s, I worked in PR in London and used all my spare cash to book safaris to Africa, as I had become totally addicted to being in nature. It was when I inadvertently signed up to a photography-based safari in 2010 that everything changed for me. It was a trip to see Kenya’s ‘Great Migration’ led by Jonathan & Angela Scott and it was only a few days before I went, that I realised I was supposed to bring a camera. I bought a cheap kit camera & lens and headed to Kenya. It turned out that camera was no good at all for wildlife (it was a very short lens) but nonetheless, I was totally inspired by Jonathan & Angela’s photography. When I got home, I immediately upgraded my gear and signed up for a course at the London School of Photography to learn the basics and I’ve never looked back. For a few years I went on as many photographer-led trips as I could, to learn from the best and then in 2012, agreed a deal to work as a Photographer in Residence at a camp in the Maasai Mara called Entim Camp. At that point I started selling my photos and attracting followers on social media.  

It was in 2014 that everything changed for me once again. I had been working as a resident photographer in Kenya at that point for about three months a year, for three years, and it was at the end of one of those stays that I travelled to Laikipia to visit a friend. We were woken very early in camp by the sound of Hyenas going crazy and at first light, went to investigate. What I saw changed my life, It was an Elephant who had died from a poisoned arrow, likely  poachers had shot him but he’d got away, only to die a slow, painful death over the next few days. The Hyenas had started to eat his body and the sight – and the smell – was so shocking. I came to realise that poaching and the many other threats that wildlife faces are often hidden away from tourists and as a result, many like me at that point, had any idea how bad things really are. I was incredibly angry and upset and resolved to channel those emotions into something positive. That was the trigger for me to start work on what I thought would be a one-off book on Elephants, to raise awareness about poaching and funds for projects working to protect Elephants. I started to approach wildlife photographers I’d met in the field and invited them to donate an image each and it took off from there. 18 months later, Remembering Elephants was published. It sold out in 2 months and raised more than £100,000 and without me knowing it, a series was born. We’ve published seven more books since (Remembering Rhinos, Remembering Great Apes, Remembering Lions, Remembering Cheetahs , Remembering African Wild Dogs, Remembering Bears, Remembering Leopards) and Remembering Tigers will be published in October 2024. Nowadays I spend far less time in the field taking traditional wildlife pictures like before but rather, I spend more time visiting the projects we are able to support with our funds, so I can see how our money is making a difference.  

Margot was awarded an MBE in the The King’s Birthday Honours 2023 for services to International Wildlife Conservation.

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Margot Raggett MBE

Celebrity supporters of Remembering Wildlife


Remembering Wildlife Founder Margot Raggett with actor, filmmaker and animal conservationist Dan Richardson. Credit: Dan Richardson

First Scientific Record As An Orangutan In Sumatra Treats An Open Wound With A Poultice Made From A Medicinal Plant.

An Orangutan in Sumatra surprised scientists when he was seen treating an open wound on his cheek with a poultice made from a medicinal plant. It’s the first scientific record of a wild animal healing a wound using a plant with known medicinal properties. The findings were published this week in Scientific Reports1.

Rakus used leaves from a liana climbing vine known to have anti-inflammatory and pain-relieving properties. Photograph: Saidi Agam/Suaq Project

“It shows that Orangutans and humans share knowledge. Since they live in the same habitat, I would say that’s quite obvious, but still intriguing to realize,” says Caroline Schuppli, a primatologist at the Max Planck Institute of Animal Behavior in Konstanz, Germany, and a co-author of the study.

In 2009, Schuppli’s team was observing Sumatran Orangutans (Pongo abelii) in the Gunung Leuser National Park in South Aceh, Indonesia, when a young male moved into the forest. He did not have a mature male’s big cheek pads, called flanges, and was probably around 20 years old, Schuppli says. He was named Rakus, or ‘greedy’ in Indonesian, after he ate all the flowers off a gardenia bush in one sitting.

In 2021, Rakus underwent a growth spurt and became a mature flanged male. The researchers observed Rakus fighting with other flanged males to establish dominance and, in June 2022, a field assistant noted an open wound on his face, possibly made by the canines of another male, Schuppli says.

Days later, Rakus was observed eating the stems and leaves of the creeper akar kuning, which local people use to treat diabetes, dysentery and malaria, among other conditions. Orangutans in the area rarely eat this plant.

Leaves from the akar kuning variety of liana climbing vines. Photograph: Saidi Agam/Suaq Project

In addition to eating the leaves, Rakus chewed them without swallowing and used his fingers to smear the juice on his facial wound over seven minutes. Some flies settled on the wound, whereupon Rakus spread a poultice of leaf-mash on the wound. He ate the plant again the next day. Eight days after his injury, his wound was fully closed.

The research group has seen no other orangutans in the national park self-medicate using akar kuning in 21 years of observation. This could be because wild Orangutans in the region are rarely injured. Or perhaps Rakus is the only one who knows of this treatment, which could be a behaviour he picked up before he moved into the area.

Rakus with his open wound, two days before he was observed applying a poultice of medicinal leaves. Credit: Armas

“It is the first study to scientifically demonstrate that an animal is using a plant with medicinal properties applicable to wounds, and putting those on the wounds and consistently treating over a period of time,” says Michael Huffman, who studies animal self-medication at the Institute for Tropical Medicine at Nagasaki University in Japan.

Huffman says self-medication is seen in many species. Canadian Snow Geese swallow leaves whole to expel tape worms. Dusky-footed Wood Rats line their nests with aromatic plants to fumigate parasites. And Chimpanzees in Gabon have been observed rubbing insects near their wounds, potentially as treatment.

Humans might even have discovered some remedies by watching animals, he says. “Probably our ancestors were looking at other animals and learning about medicines.” When social animals communicate, “that information sticks and can last over generations”.

  1. Laumer, I. B. et al. Sci. Rep. Active Self-Treatment Of A Facial Wound With A Biologically Active Plant By A Male Sumatran Orangutan

WHAT YOU CAN DO TO HELP WILDLIFE

You can support ‘Protect All Wildlife’ by donating as little as £1 – It only takes a minute but it can last a lifetime for an animal in need. Please donate below.

PLEASE CLICK HERE TO HELP ANIMALS IN NEED

Everyone who donates will receive a Certificate of Appreciation as a thank you for helping animals in need.

The Mission of Protect All Wildlife is to prevent cruelty and promote the welfare of ALL animals.

We believe EVERY animal should be treated with respect, empathy, and understanding. We raise awareness to protect and conserve wild, captive, companion and farm animals.

It is vital that we protect animals against acts of cruelty, abuse, and neglect by enforcing established animal welfare laws and, when necessary, take action to ensure that those who abuse animals are brought to justice.

Protect All Wildlife are involved in many projects to protect animals’ rights, welfare, and habitats. Money contributed to Protect All Wildlife supports ALL of our worthy programmes and gives us the flexibility to respond to emerging needs. Your donations make our work possible.

Charity Auction Of Art To Help Disabled Animals

This is your chance to bid on beautiful original artworks in our ‘Charity Auction To Help Disabled Animals’.

This is a sealed bid auction, so all you need to do is decide which item you would like to bid for and send us your bid with the LOT NUMBER and name by email to protectallwildlife@btinternet.com by 21:00 on the 30th of June. We will email you to let you know if your bid is the highest. Postage costs will be calculated when the auction ends. If you need any more information etc please email Paul at protectallwildlife@btinternet.com.

All funds raised help support the Miracle’s Mission Centre for Disabled Animals and their work in the rescue, treatment and rehoming of sick, injured and disabled animals .

Happy bidding and good luck 🐾.

Lot 1

This is an ORIGINAL watercolour, pastel and pencil study of a Badger by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 59 x 42 cms.

A Badger by Milo ~ 2020.

Lot 2

This is an ORIGINAL watercolour, pastel and pencil study of a Cheetah by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 59 x 42 cms.

A Cheetah by Milo ~ 2020.

Lot 3

This is an ORIGINAL watercolour, pastel and pencil study of a Fox by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 42 x 59 cms. (#19).

Lot 4

This is an ORIGINAL watercolour, pastel and pencil study of a Clouded Leopard by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 57 x 42 cms. (#34).

A Clouded Leopard by Milo ~ 2020

Lot 5

This is an ORIGINAL watercolour, pastel and pencil study of a Jaguar by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 57 x 42 cms. (#8

A Jaguar by Milo ~ 2020.

Lot 6

This is an ORIGINAL watercolour, pastel and pencil study of a pair of Snow leopard cubs by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 42 x 59cms. (#26).

A pair of Snow Leopard cubs by Milo ~ 2020.

Lot 7

This is a stunning ORIGINAL watercolour, pastel and pencil study of a Snow Leopard by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 59×42 cms. (#7).

A Snow Leopard by Milo ~ 2020

Lot 8

This lot is ‘A Mother’s Love’, an adorable original watercolour, pastel and pencil of a Lioness and her cubs by wildlife artist Milo. This BEAUTIFUL piece is on high grade art paper measuring 30.5×27.6 cms. (#17).

A Mother’s Love by Milo ~ 2012

Lot 9

Who can resist ‘Those Eyes’? This delightful original watercolour, pastel and pencil study of a baby Orangutan is by Milo and is on high grade art paper measuring 59×42 cms. (#12).

‘Those Eyes’ by Milo ~ 2021.

Lot 10

This is a stunning ORIGINAL watercolour, pastel and pencil study of a Wolf by wildlife artist Milo. This beautiful piece is on high grade art paper measuring 59×42 cms. (#13).

A Wolf by Milo ~ 2021.

Lot 11

‘A Mother’s Love’ is an ORIGINAL watercolour, pastel and pencil study of a Giraffe and her baby by wildlife artist Milo. This STUNNING piece is on high grade art paper measuring 42 x 59 cms. (#18).

‘A Mother’s Love’ (Giraffe & Baby) by Milo ~ 2021.

Lot 12

This is an ORIGINAL watercolour, pastel and pencil study of a Giraffe by wildlife artist Milo. This BEAUTIFUL piece is on high grade art paper measuring 42 x 59 cms. (#25).

A Giraffe by Mido ~ 2020.

Lot 13

This is an ORIGINAL watercolour, pastel and pencil study of an Amur Leopard by wildlife artist Milo. This BEAUTIFUL piece is on high grade art paper measuring 59 x 42 cms. (#27).

An Amur Leopard by Milo ~ 2021.

Lot 14

This is an ORIGINAL watercolour, pastel and pencil study of a Sumatran Tiger by wildlife artist Milo. This BEAUTIFUL piece is on high grade art paper measuring 59 x 42 cms. (#1).

A Sumatran Tiger by Milo ~ 2019.

Lot 15

This is an ORIGINAL watercolour, pastel and pencil study of a beautiful pair of Cheetah cubs by wildlife artist Milo. This BEAUTIFUL piece is on high grade art paper measuring 59 x 42 cms. (#16).

A pair of Cheetah cubs by Milo ~ 2020.

Lot 16

This is an ORIGINAL pencil study of a Rhino by Dane Youkers . This beautiful piece measures 28 x 36 cms .

A Rhino by Dane Youkers ~2022.

Lot 17

‘Tails Erect’ by Wildlife Artist Carol Barrett. This ORIGINAL study of Warthogs is in watercolour and ink and is on Rhino Dung Paper! It is mounted and measures 40 x 30 cm.

‘Tails Erect’ by Carol Barrett.

Lot 18

This is an ORIGINAL watercolour study of a Badger by Diane Antoine. This beautiful piece measures 30 x 21 cms .

‘The Badger’ by Diane Antoine ~2020.

Lot 19

This is an ORIGINAL pencil study of a Wolf (artist unknown). This beautiful piece measures 30 x 21 cms .

A Wolf In Thought

Lot 20

This is an ORIGINAL study of an Elephant in pencil by Simon W. Atack. This BEAUTIFUL piece measures 30 x 21 cms and is mounted.

The Leader Of The Herd by Simon W. Atack.

Lot 21

This is an ORIGINAL study of an Elephant in pencil by presenter and author Fearne Cotton. This BEAUTIFUL piece measures 30 x 21 cms and is mounted.

Super Tusker by Fearne Cotton.

Lot 22

This is an ORIGINAL study of an Elephant in pencil by Jonathan Truss. This BEAUTIFUL piece measures 30 x 21 cms and is mounted.

Jumbo Sketch by Jonathan Truss.

Lot 23

‘Gentle Elephant’ is an ORIGINAL watercolour study by Anne Jolivet. This BEAUTIFUL piece measures 30 x 21 cms .

‘Gentle Elephant’ by Anne Jolivet ~ 2021.

Lot 24

This is an ORIGINAL watercolour study of an Elephant by Debra J. Hall. This BEAUTIFUL piece measures 30 x 21 cms .

An Elephant by Debra J. Hall ~ 2021.

Lot 25

‘The Animals Fight Back’ ORIGINAL watercolour Charito Lilley. This thought-provoking piece measures 40 x 30 cms

‘The Animals Fight Back’ by Charito Lilley ~ 2019.

Lot 26

This is a Limited Edition (No. 46/250) print is ‘Highland Monarch’ by Michael Demain. This stunning print measures 56 x 34 cms.

‘Highland Monarch’ by Michael Demain.

Lot 27

A beautiful print of Tiger cubs by Jan Ferguson. This piece measures 41 x 31 cms.

‘Tiger Cubs’ by Jan Ferguson.

Lot 28

A stunning Limited Edition print (No. 7/100) titled ‘Endangered Nobility’ by Kim Thompson. This beautiful study of the noble Lion measures 60 x 42 cms.

‘Endangered Nobility’ by Kim Thompson ~ 2011.

Lot 29

‘Mischief Maker’ is a beautiful Ltd Edition study of a playful Lion cub by Julie Rhodes. It is mounted and measures 56 x 38 cms.

‘Mischief Maker’ by Julie Rhodes.

Lot 30

The beautiful Butterflies In The Round by Cath Hodsman. This Limited Edition print measures 51 x 41 cms.

‘Butterflies In The Round’ by Cath Hodsman.

Lot 31

Street artist Sonny Sundancer’s gigantic painting of an Amur Leopard overlooked the city of Vladivostok, Russia and was part of his worldwide ‘To The Bone’ project aimed at raising awareness about endangered species.

This STUNNING piece of his work is caught brilliantly in this VERY Limited Edition of only 45 prints (No. 29/45) and measures 50 x 35 cms.

Amur Leopard street art by Sunny Sundancer ~ 2017.

Lot 32

In a very Limited Edition of only 75 prints (No. 6/75), this beautiful study of a Sumatran Tiger is by Nick Day. It measures 38 x 41 cms.

A Sumatran Tiger by Nick Day ~ 2015.

Lot 33

This is a stunning Limited Edition print of a commission for The Miracle’s Mission Rehabilitation Centre. This beautiful piece measures 30 x 21 cms.

THE MIRACLE’S MISSION REHABILITATION CENTRE

Thank you for taking the time to look at our auction and happy bidding.

If you would like to make a donation to our fundraiser to help support our work you can do so at Fundraiser To Help Disabled Animals. Thank you.

Theme Park History: The Dark Story Of Thomas Edison And The Electrocution Of Topsy The Elephant For Murder

Topsy The Elephant

Much has been written about the controversial movie Blackfish, the 2013 film that vilified SeaWorld for use of captive orcas. Many in the theme park community have attacked the movie as a hit piece, while others in the anti-animal captivity community used it as a call to arms. But for all the discussion and passion that the movie generated, history tells us that this issue is as old as the industry itself. If told completely, this story shines a different kind of light on the culture of the times, and also on an iconic figure in American history. Once upon a time, a 110 years before Blackfish and Tilikum there was another movie, and an Elephant named Topsy.

Sometime around 1875, Topsy was smuggled as a baby out of Asia and brought into America to perform in the Forepaugh circus. Billed as the first “American born elephant,” she became the star of the show. Like many circus performers at the time, she was subject to harsh treatment during training sessions. Trainers of the time were vicious towards the animals in their attempts to control them, prodding the elephants with sharp hooks between the eyes and in the head. Beatings, hot pokers, and even guns were also common methods of training. By most accounts, Topsy was one of the fan favorites. Behind the scenes though, she endured years of harsh treatment. Her crooked tail was a point of emphasis with promoters. In reality, it was the result of a particularly severe beating. Over the years, her temper became shorter and shorter, and she attacked several handlers and was reportedly responsible for the deaths of three of them. In 1902, one particular (alcoholic) trainer named James Fielding Blount foolishly met his end. After a night of heavy drinking, Blount went into the elephant tent and offered Topsy a drink of whiskey. Her refusal angered Blount, who reportedly then stuck a lit cigar on the tip of her trunk. He was then promptly thrown down and crushed.

After this highly-publicized incident, Topsy was then sold to Coney Island amusement operator Paul Boynton. When Boynton sold his operation to the founders of Luna Park, Topsy and her trainer were part of the sale. Luna Park was under construction at the time, so for a brief time she was put to work hauling loads of building material. After a new site for the “Trip to the Moon” attraction was cleared, the workers tried, but simply couldn’t move the massive structure to its new location. Topsy was called upon to do the job. With the help of a few horses, she pushed the building nearly a mile to its new location. Police arrested one of her handlers that day after observing “excessive” use of a sharp object to prod the elephant. Her trainers reportedly kept a pitchfork handy. He was tried for animal cruelty but later was acquitted because the amount of prodding was deemed acceptable. Subsequent incidents and moments of aggression occurred, all under the watchful eye of the press. The final straw came when trainer Whitey Ault got drunk and decided to ride Topsy down Surf Avenue. When Whitey was arrested and taken to the station, Topsy followed them down the street and then tried to go into the police station behind them. Whitey was fired for this incident, leaving nobody on the staff that could handle Topsy. With costs of her care high and no one to take care of the elephant, Luna Park owners Thompson and Dundy tried to get rid of her. However, all the bad press over the past year had tarnished the elephant’s reputation. No zoo would take her, no show would have her. They tried to raffle her off, then to give her away for free, but had no success. After exhausting many options, the decision was then made to euthanize Topsy.

Topsy

Killing a 10-foot tall, three-ton elephant in 1903 wasn’t a simple proposition, let alone doing so in a quick and humane way. They didn’t have a gun big enough to quickly do the job, and even though it had been done to other elephants before, the idea of hanging her was thrown out.

edison-elephant-hp-orig
Thomas Edison

The owners of Luna Park turned to inventor Thomas Edison, who by 1903 had fought and lost the “battle of the currents” for the electricity standard to be used in the United States. Edison’s direct current (DC) methods had been used extensively at first, but the more efficient alternating current (AC) method, invented by Nikola Tesla and backed by industrial giant George Westinghouse, had gained traction and was becoming the standard for distribution. Trying to keep his standard intact (and preservation of the royalties), Edison had engaged in a propaganda war, discouraging the use of AC by lobbying Congress, spreading false rumors and misinformation, and staging public demonstrations of its danger by electrocuting stray and unwanted animals. For a time his technicians were regularly dispatched for this matter, killing dogs and cats, and in some cases horses and cows. He commissioned a partner to develop the electric chair for the state of New York with AC current, even though he himself was reportedly an opponent of capital punishment.

Edison’s “experience” with the matter and his standing as an authority on electricity prompted Thompson and Dundy to call. Even though the current war was over, he apparently for one reason or another couldn’t resist the opportunity to demonstrate the “dangers” of AC one more time…this time on the largest land animal in the world. Some say he was still fighting the war in his own mind, others say Edison still harbored a grudge from the loss and participated out of vindictiveness. Whichever the case, he signed on to do it, and he would document the whole thing with another one of his inventions, the movie camera.

In another sign of the times, the ever-enterprising owners of Luna Park knew the attention the story had gotten, and they initially intended to charge admission for the public execution. The press coverage though had also attracted the attention of the SPCA, who flatly refused to allow that to happen. In turn, the admission fee idea was thrown out, but the public would still be allowed to watch. By this time, Topsy had been characterized in the press like a convicted killer condemned to death, and so the people came to watch.

The 'execution' of Topsy

The ‘execution’ of Topsy the Elephant

The execution date was set for January 4, 1903. A crowd of about thousand gathered in the courtyard of the half-finished Luna Park to witness the spectacle. Topsy’s old trainer Whitey Ault was offered a then handsome sum of $25 to help bring the Elephant to her demise, but the saddened trainer turned it down, saying he wouldn’t do it for a thousand. With no qualified people to handle her, leading a very docile Topsy to the platform proved difficult. She wouldn’t cross the bridge to the middle of the lagoon. After technicians moved the wood and metal platform to her, she wouldn’t stand in place, then she shook off the electrodes that were hooked to her, and then refused to eat the cyanide laced carrots that were offered to her…almost as if she knew what was going on. After some coaxing, Topsy finally ate the carrots and the switch was thrown.

She died almost instantly, and almost took one of the Edison technicians with her. He was also electrocuted when he threw the switch. Even though she had already been pronounced dead, workers tightened a noose around her neck for ten minutes to make sure. SPCA doctors on hand pronounced it as the most humane way to kill an animal they had ever seen, and Edison had his documentary. The film “Electrocuting An Elephant” depicted the first actual death on screen, and was seen by audiences across the country. A part of it remains intact online [warning: disturbing images] for the curious to view. Ultimately, the film did nothing to either advance his agenda or raise any kind of awareness for animal cruelty. Audiences of the time were simply more interested in the novelty of the motion picture, the spectacle, and being entertained. Perhaps some things haven’t really changed after all.

Ultimately, Topsy’s story provides a bit of perspective on today’s state of affairs. Her story of a systematic life of abuse in the circus and the spectacle surrounding her death is the true epitome of animal cruelty. Topsy was not the only circus animal of the time to endure this kind of treatment, to be killed, or to kill a human being, but she was the most well known and well documented. Her brief role in the early theme park industry as well as American history makes the story worth telling, however horrible it may be. As for today, the debate continues. People may or may not agree with the use of marine animals in a theme park, but SeaWorld’s animal treatment methods, and its practices of conservation, animal rescue and rehabilitation, research, and education stand in stark contrast to the brutality of the Forepaugh circus and its contemporaries.

For years there were reports of ghost sightings, but the story of Topsy largely disappeared for a long time. In recent years Topsy has reappeared in pop culture, namely the television show Bob’s Burgers and the 2009 video game Assassin’s Creed II. A book about Topsy and the early American circus written by Michael Daly was published in 2013. A memorial dedicated to her sits in the Coney Island museum.

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We believe EVERY animal should be treated with respect, empathy, and understanding. We raise awareness to protect and conserve wild, captive, companion and farm animals.

It is vital that we protect animals against acts of cruelty, abuse, and neglect by enforcing established animal welfare laws and, when necessary, take action to ensure that those who abuse animals are brought to justice.

Protect All Wildlife are involved in many projects to protect animals’ rights, welfare, and habitats. Money contributed to Protect All Wildlife supports ALL of our worthy programmes and gives us the flexibility to respond to emerging needs. Your donations make our work possible.

The Emotional Moment Giraffes Hold ‘Funeral’ To Mourn For Member Of Their Herd Who Died During Childbirth That Drove Tourist To Tears

Photographer Callum Perry said: ‘It brought tears to my eyes – seeing the Giraffes’ journey to their fallen friend was one of the most emotional scenes I have ever seen.

Incredible footage shows the moment a group of Giraffes come to pay their respects to one of their own who died during childbirth. Credit: Callum Perry.

This incredible footage shows the moment a group of Giraffes come to pay their respects to one of their own who died during childbirth.

The group of Giraffes were captured on camera walking towards the corpse in a gathering filled with human emotions as they mourned and said goodbye to a member of their audience.

Photographer Callum Perry, 28, from Britain, who is currently traveling in South Africa, captured the rare moment in the Marataba Contractual National Park.

“The giraffe’s funeral made me take a step back and look at the beauty I’ve seen in my life, and that even in life’s most difficult moments, there can be silver linings.

One by one the Giraffes pay their respects. Credit: Callum Perry.

‘I was really fascinated by the emotion of this whole scene; words can hardly do it justice. I feel honored to have been there as they all paid their respects.

“Most of the people I know in the safari industry had never seen this happen before, so they were amazed and a little jealous.”

Photos show a group of more than five Giraffes examining the dead body as it lay on the ground.

In the video, a Giraffe is seen walking towards the dead member of their pack before being followed by others.

Giraffes Mourn The Death Of One Of Their Own Credit: Callum Perry.

One by one, each Giraffe bowed to send its beloved friend away.

Giraffes are thought to mourn their dead, as Zoe Muller, a wildlife biologist from the University of Bristol who founded the Rothschild’s Giraffe Project in Kenya, recalled a moment she witnessed more than a decade ago.

Muller said she saw 17 female Giraffes looking sad and that the pack traveled to a part of the savannah they don’t normally visit.

It turned out that a calf had died and Muller witnessed the group of Giraffes gathering at its mother and staying with her for two days after death.

She interpreted the Giraffes’ behavior as sadness, but she was afraid to say this because some scientists believe the opposite.

She said, as quoted in The National Wildlife Federation: “My personal position has changed. I would now be much more open about acknowledging non-human grief. Giraffes, humans, we are all mammals.

‘Our emotion system is largely driven by hormones, and hormones have probably evolved in the same way in all mammals.’

A similar incident happened to photographer Edward Selfe while tracking Thornicroft’s Giraffes in South Luangwa National Park, Zambia.

He watched over a few days as a herd appeared to ‘mourn’ the loss of one of their number. A female died over complications with pregnancy and was quickly exploited by scavengers. But each day, the rest of the herd would stop and watch as the vultures squabbled and the hyaenas chewed on the remains. It’s anthropomorphism to suggest that it was mourning, but their curiosity certainly extended beyond simply observing something that caught their eye.

A herd of Thornicroft’s Giraffes mourn the loss of one of their number. Credit: Edward Selfe.

WHAT YOU CAN DO TO HELP ANIMALS IN NEED

You can support our work by donating as little as £5 – It only takes a minute but it can last a lifetime for an animal in need.

CLICK HERE TO DONATE PLEASE HELP ANIMALS IN NEED

Everyone who donates will receive a Certificate of Appreciation as a thank you for helping animals in need.

The Mission of Protect All Wildlife is to prevent cruelty and promote the welfare of ALL animals.

We believe EVERY animal should be treated with respect, empathy, and understanding. We raise awareness to protect and conserve wild, captive, companion and farm animals.

It is vital that we protect animals against acts of cruelty, abuse, and neglect by enforcing established animal welfare laws and, when necessary, take action to ensure that those who abuse animals are brought to justice.

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Protect All Wildlife are involved in many projects to protect animals’ rights, welfare, and habitats. Money contributed to Protect All Wildlife supports ALL of our worthy programmes and gives us the flexibility to respond to emerging needs. Your donations make our work possible.

No Wonder He’s All Smiles! Raju The Crying Elephant, Who Moved The World After Being Pictured In Tears When He Was Freed From His Chains, Is Welcomed To His New Home – By Five Females

It was the moment Raju the Elephant had waited a lifetime for – a family of his own.

In July 2014 the gentle giant, who captured the hearts of people from around the world when he cried as he was freed from chains after 50 years – joined five female Elephants at Wildlife SOS’s Elephant Conservation and Care Centre in India.

His new family, named the Herd of Hope, have all been rescued from barbaric treatment.

HAPPY CHAPPY: RAJU, CENTRE, WAS INTRODUCED TO HIS NEW FRIENDS AT A CONSERVATION CENTRE IN INDIA
ENJOYING HIMSELF: RAJU SMILES WIDELY AS HE RELAXES IN THE POOL NEXT TO HIS NEW FAMILY – CALLED THE HERD OF HOPE.
GANG’S ALL HERE: RAJU’S FRIENDS HAVE ALSO ESCAPED FROM GREAT CRUELTY AND NOW LIVE IN MATHURA, NORTHERN INDIA.

And poignantly, they flapped their ears – an expression of joy – before touching him with their trunks as they welcomed him.

Charity Wildlife SOS founder Kartick Satyanarayan, who led the rescue operation to save Raju, said: ‘We are delighted Raju has fitted in so well with the first family he’s ever had since he was orphaned by poachers as a calf.

‘He had been so terribly brutalized for 50 years that we feared he’d be unable to live with his own kind. He didn’t even know how to be an Elephant. But now it’s like he’s always been with them.

‘When we first released him, he held back, and he was clearly wary. Three of our female Elephants Laxmi, Chanchal and Sai Geeta ran up to him – their ears flapping wildly –a sign they were excited and delighted to meet him. They also made high-pitched trumpeting sounds – a greeting.

AFFECTIONATE: ONE OF RAJU’S FEMALE FRIENDS, LEFT, STROKES HIS TRUNK WITH HERS. HE WAS INITIALLY WARY OF CONTACT BECAUSE OF HIS APPALLING TREATMENT AT THE HANDS OF HIS CAPTORS.
REHABILITATION: THE POOL’S WATER LETS RAJU TAKE WEIGHT OFF OF HIS LEGS – WHICH ARE PAINFUL FROM YEARS OF ABUSE.

TAKING IT EASY: RAJU WAS POACHED AS A CALF – AND ENDURED AN AWFUL LIFE AS A TOURIST ATTRACTION – BUT CAN NOW RELAX.

‘Then each of them touched him with their trunks, clearly reassuring him before they wandered off into the grazing land at our Elephant Conservation and Care Centre at Mathura. It was incredibly touching after all he’d been through.’

On July 4 this year the charity along with their counterparts in India saved Raju from dying in his bonds in a daring midnight rescue operation.

A  team of ten vets and wildlife experts from the charity were joined by twenty Forestry Department officers and six policemen to seize Raju in the Uttar Pradesh region.

Mr Satyanarayan said: ‘He’d been poached as a calf from the wild. Poachers either slaughter the mother, or they drive the herd into traps that are small enough only for the babies to fall into.

‘The mother cries for her baby for days after he’s been stolen – the illegal Elephant trade is sickening. The calves are then tied and beaten until they submit to their owners – their spirits are effectively broken.

’27 OWNERS’: RAJU, RIGHT, WAS PASSED FROM OWNER TO OWNER IN CAPTIVITY, AND EVENTUALLY WAS FOUND IN SPIKED CHAINS.

PLAYTIME: RAJU, LEFT, HAS BEEN ABLE TO START HIS RECOVERY IN THE SANCTUARY, AFTER BEING BLIGHTED BY WOUNDS ALL OVER HIS LEGS AND BODY WHILE IN CAPTIVITY.

‘Raju’s case was particularly tragic as we believe he has been sold again and again and might have had 27 owners – he’s been treated as a commodity and beaten into accepting his new handler every two years of his life.

‘By the time we found him he was in a pathetic condition. He hadn’t been fed properly and tourists started giving him sweet food items and because he was in a state of hunger and exhaustion, he began eating plastic and paper.

‘He had no shelter at night and was being used as a prop to beg with from dawn until dusk or being used for giving tourists joy rides. And most heartrendingly of all – the chains that cut into his legs had been there for 50 years. It was horrific.

‘It took us 45 minutes to remove the shackles that had torn into the flesh on his legs for the past 50 years – an act of unthinkable cruelty.

‘His legs were so covered in abscesses and his feet so damaged by walking on hard tarmac roads, that we have spent much more than expected on his medical treatment, and we still have a long way to go as he has a serious limp and open wounds.’

TEARFUL: RAJU, PICTURED ABOVE MOMENTS BEFORE HE WAS FREED FROM CAPTIVITY, CAN BE SEEN WITH ‘TEARS’ STREAMING DOWN HIS FACE.
CRUEL: ACCORDING TO HIS RESCUERS, RAJU HAD BEEN IN CHAINS FOR AS LONG AS 50 YEARS.

BOUND: RAJU’S CHAINS, SEEN UP CLOSE ABOVE, TOOK 45 MINUTES FOR RESCUERS TO DISENTANGLE.

The Elephants Raju has joined have also suffered horrendously before they were rescued by the charity.

The second most recent member of the herd is eighteen-year-old female Laxmi, saved from the streets of Mumbai ten months ago. Although she was young, she suffered from severe arthritis, obesity and a heart condition.

Mr Satyanarayan said: ‘She’d been exploited and used as a begging prop, she was neglected and her owners had got her addicted to fried junk food.

‘When we saved her she was 1,200 kilos overweight and so fat we had to use a crane to get her onto a specially-strengthened truck to drive her to our centre. She was so huge her knees were giving way and she had early arthritis.

‘Our vets were concerned that she would not live much longer if she was not rescued immediately. But she has a great, if mischievous, character – even on the drive home her trunk kept sneaking through the window and she was searching in the driver’s pockets for a treat.

‘We have spent the last 10 months rehabilitating her – and at first it was a battle to get her to eat the food she should be eating. Now she’s finally getting healthier, leaner and enjoying being a free Elephant.

‘But although Wildlife SOS was given legal custody of her by the Forest Department, her previous cruel owners are petitioning the courts to get her back and so  now we are in a court battle to stop her being returned to the abusive situation we rescued her from.’

MIDNIGHT RAID: WILDLIFE SOS FOUNDER KARTICK SATYANARAYAN BREAKING RAJU FREE FROM CAPTIVITY.

Chanchal, 16, was rescued on June 29, 2012, on the outskirts of Delhi after she and a second Elephant were hit by a speeding truck.

The second Elephant was killed instantly and Chanchal was left with cuts, shards of glass and wounds all over her body as well as a severely injured leg. She was undernourished and her owners were arrested for negligence.

Mr Satyanarayan said: ‘Her leg was fractured and it’s taken us 18 months to nurse her back to health. She’s slowly rebuilding her life.’

Sai Geeta was a circus Elephant who was rescued after she was made to perform for years with a broken right rear leg.

Mr Satyanarayan said: ‘She still has a terrible limp where the break was never treated – the fracture was severe and when we rescued her she’d suffered for years in pain as it was never allowed to heal as they never allowed her to rest.’

ROAD TO FREEDOM: RAJU WAS TAKEN TO THE SANCTUARY IN MATHURA, NORTHERN INDIA, IN THIS TRUCK.

Finally Phoolkali, who is blind in one eye was smuggled illegally for years before the charity was alerted to her plight and immediately stepped in to rescue her.

Mr Satyanarayan said: ‘Phoolkali had spent more than 40 years of her life doing hard labour, being abused and being underfed. And her maltreatment and severe abuse by her previous owners caused her to be blinded in one eye.

‘Her owner would hide her in a windowless, deserted warehouse. Her owner would smuggle her across state borders in the dead of night to avoid detection by the authorities as he has no valid documentation for her legal possession.

‘She was frail and scrawny and almost skeletal in appearance and covered in sores and wounds.

‘Now she loves throwing mud on herself immediately after a long bath – much to the annoyance of her keeper – and also throws mud on him when he isn’t paying attention.’

YEARS TO RECOVER: THE HEAD OF WILDLIFE SOS SAID THAT IT TAKES YEARS TO RECOVER FROM RAJU’S DECADES-LONG ORDEAL.

Today the nightmare for Raju and his herd is a distant memory. And they are also enjoying a rehabilitation pool thanks to the generosity of donors to the centre.

Mr Satyanarayan said: :We are overwhelmed by the generosity of people from so many countries around the globe. We hope that if the donations continue, better facilities can be established for Raju and the other Elephants at the Centre who all deserve a better life to make up for the abuse they suffered all these years.

‘When we rescued him, Raju had never been in a pool before – and now he spends hours relaxing inside it. We’d like to thank everyone who donated – every penny has made such a difference to the quality of his life.

‘And while the pool is immensely pleasurable for him, it also is helping his rehabilitation as the water’s buoyancy enables him to take the weight off his legs which are incredibly painful from years of being shackled.

‘He still faces years of treatment to heal both the physical and psychological wounds. And sadly he’s not alone. We have a dossier of 80 Elephants whose life is in imminent peril and they also need to be rescued before they die of cruelty, exhaustion and abuse.’

Mr Satyanarayan said: ‘Our hope is that along with Raju, we can rescue many more of these tragic cases before it’s too late for them. It will enable them to taste freedom for the first time in their lives and live out their days in dignity, free from suffering and pain.’

RAJU’S ONE YEAR WITH NO TEARS!

Keep up to date at Wildlife SOS’s Elephant Conservation and Care Centre

What you can do to help animals in need:
Support ‘Protect All Wildlife’ by donating as little as £1 – It only takes a minute but it can last a lifetime for an animal in need. Thank you.

We believe EVERY animal should be treated with respect, empathy, and understanding. We raise awareness to protect and conserve wild, captive, companion and farm animals. It is vital that we protect animals against acts of cruelty, abuse, and neglect by enforcing established animal welfare laws and, when necessary, take action to ensure that those who abuse animals are brought to justice.

Protect All Wildlife are involved in many projects to protect animals’ rights, welfare, and habitats. Money contributed to Protect All Wildlife supports ALL of our worthy programmes and gives us the flexibility to respond to emerging needs. Your donations make our work possible. Thank you for your support.

Everyone who donates will receive a beautiful Certificate Of Appreciation as a thank you for donating to help animals in need.

CERTIFICATE OF APPRECIATION

Incredible Moment Mother Bear Fights 500lb Male Before Fatal Plunge Down Mountain As She Defends Her Cub

MOTHER BEAR FIGHTS TO SAVE HER CUB AND SURVIVES

The bear, who was seriously injured in north-west Spain while protecting her cub from a male attack, was found alive in a burrow near her cub.

The nail-biting footage shows the two bears fighting on the edge of a mountain cliff before plunging onto the rocks below them.

The bear who fought to protect her cub from an attack by a male in north-west Spain and was seriously injured was found alive in a cave near her cub

After a fierce fight, the two bears had fallen about a hundred feet, and the attacking male had not survived. In the Castile region of Spain, two hikers filmed a fight between a male bear and a female who was with her cub. These are rare images that two amateur videographers were able to capture on the foothills of the Palentina Mountain, located in the north of the province of Palencia in Spain.

The female, “located several weeks ago with two cubs, had recently lost one, probably due to an attack by this male or another,” said Nature Castile and León. According to a statement from the regional government, “technical staff, veterinarians, environmental officers, environmental protectors and Bear Patrols of the Natural Heritage Foundation” of the region, assisted by the Civil Guard, managed to trace the bear and its cub. She had escaped alive into a cave and was suckling her young. Using specialist camera probes and telescopic hooks, they then left fruit and water for them in the burrow.

Authorities also confirmed that the second cub in the litter had been killed by the same male three days earlier. Keep in mind that it is not uncommon for male bears to attack cubs that are not their own during the rut in order to mate with their mother to secure their own offspring.

With the collaboration of the Gardia Civile and the field staff of the Fundación Oso Pardo, the agents found his 217 kg remains in the field and brought him to a specialized centre to carry out an autopsy.

THE BODY OF THE MALE BEAR IS CARRIED AWAY BY OFFICIALS

This kind of attack by a male bear on a female is not uncommon. In these cases, the bear seeks to kill the cubs.

“It is common for mothers to defend their young against attacks by males who seek to bring them back into heat”, explains the authorities on the social network Twitter.

Two to three days later, the female is in heat again and breeding can take place again.

In this corner of Spain, on the Cantabrian mountain range, nearly 330 brown bears are present, compared to 70 on the Pyrenees massif, on either side of the Franco-Spanish border.

A FEMALE WITH HER CUBS IN THE WESTERN RANGE

The best places to see bears are in Somiedo National Park and the mountain slopes of Cangas de Navacea. April and May are the best times to see bears, including cubs, which have woken from hibernation

BEAR POPULATION IN SPAIN

Protect All Wildlife

The Mission of Protect All Wildlife is to prevent cruelty and promote the welfare of ALL animals.

We believe EVERY animal should be treated with respect, empathy, and understanding. We raise awareness to protect and conserve wild, captive, companion and farm animals.

It is vital that we protect animals against acts of cruelty, abuse, and neglect by enforcing established animal welfare laws and, when necessary, take action to ensure that those who abuse animals are brought to justice.

Protect All Wildlife are involved in many projects to protect animals’ rights, welfare, and habitats. Money contributed to Protect All Wildlife supports ALL of our worthy programmes and gives us the flexibility to respond to emerging needs. Your donations make our work possible.

Thank you for your support and consideration.

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STRANGER THAN FICTION -THE BOND BETWEEN A LEOPARD AND MOTHERLY COW

Advance science has no explanation for some of the mysteries of nature. An unprecedented strange relationship between a wild leopard and its prey -the cow observed in Antoli village in Vadodara district in Gujarat was one of such unbelievable mysteries.

The Unlikely Bond Between Predator And Prey

The story begins in the summer of 2002. The leopard sightings were reported regularly from Antoli, a village about 20 km. away from Jambughoda Sanctuary and 40 km. from Vadodara city. In Antoli, a female leopard had chosen to litter in a sugarcane field, surviving on pigs, rodents, Indian hare, domestic dogs, birds, large frogs and the like, with the occasional goat thrown in for good measure. The irrigated agricultural fields had tall crops most of the times, providing adequate hides, linkages with nearby ravines, and easy movement of the big carnivores. As every part of the forest is heavily grazed, the leopardesses do not find safe hide and move in deeper part of sugar cane field for safety of their cubs. Infact, sugar cane fields contribute significantly for reproduction of the leopards. Sometimes leopardess moves far away from the forest boundary to select such field in the villages for littering.

By September 2002, the complaints began to pour in thick and fast. As a result, the forest officers decided to do something to address the problem of the villagers. People from Antoli village reported that a leopard with a cub was seen frequently in the evening and night. Such complaints were normal in the region where man-animal conflict was common due to increase in the leopard’s population and absence of prey base in their habitats. In fragmented habitat or food scarce area, the leopard shift location and move away from original habitat to nearby area for some period to harvest food available in particular season. In such a situation, the Department avoided capturing the harmless animals. When complains reached the Forest Minister at Gandhinagar, the author was asked by the minister, Daulat Singh Desai to investigate the matter. After consulting the Chief Wildlife Warden, it was decided to capture the animal from the area. The trap cage with a live bait was arranged at a suitable site by the staff. First photo record with video was recorded by Manoj Thaker, a naturalist from Vadodara. The range forest officer, forester, Rohit Vyas, Honorary Wildlife Warden, Manoj Thakar, nature lovers from Vadodara and their friends spent several nights in the village and trapped the female leopard successfully at about 2 O’clock at night on 20th September 2002 and released it into a nearby forest in the early morning.

Is The Leopard About To Pounce On Its Prey?

The villagers witnessed trapping of the leopard and had a great relief but were unhappy as they lost an important guest with whom they had developed an intimacy. Also, the leopard was economical to them as they had a high crop yield because the cat’s presence in the village would protect damage of crop at night from jackals and wild boars.

 A month later the complaints began to pour in again. The villagers believed that the leopard caught was probably the mother of a young leopard that roamed the area. When the forest staff and wild lifers visited the village, they came across a story so strange that the author refused to believe it at first. The village was dominated by Patel, an upper caste community, and lower caste inhabited at the fringe of the settlement, as normally found in the Indian villages. A family belonging to backward caste lived in the fringe of habitation with a cow, a buffalo calf and two bullocks. The animals in the open field in front of the house had open access from agricultural fields from three sides. The elder of the family, about sixty years old, observed a leopard coming near the cow every night where both had a fearless interaction. He doubted first day but was surprised to see their behaviour next day. When he narrated the event, nobody believed his story. Subsequently, people witnessed an unnatural drama every day.

The author was told about this story by the Range Forest Officer and Rohit Vyas but did not believe till he witnessed the drama on 17th October. The old man narrated interesting observation that every night the leopard would draw near to a particular cow, which has body colour similar to leopard, in an open field in the front of his house. The two animals would approach each other at very close proximity and seemed to all intents and purposes to be interacting, without any aggression on the part of the leopard, or fear on part of the cow.

The cat and its bovine friend ‘met’ and, exactly as the villagers had stated, seemed totally at ease with each other. There were two bulls and a buffalo calf in the field, which were pointedly ignored by the leopard, but they were not at ease as the cow.

 The story of the unlikely friendship spread like wildfire and people from other villages started coming to witness the phenomenon. The roof of a nearby pucca house was the best vantage point to witness the two strange friends. People said they could approach the two from a distance of less than 10 m, provided no camera flashes were set off. The wildlife lovers and photographers routinely began visiting the village, photographs were taken, and the matter reported dutifully to forest officials.

The Bond

leading English daily even published the story on the front page, borrowing its headline from the title of a Hindi popular film, Ek chhoti si love story! (A small love story). But everyone was not quite comfortable with this situation. The elders in the village did not fear the cat, but worried that it might harm a child in the event of an encounter after dark. They did not want it harmed, but certainly wanted it taken away. People in Delhi also started asking their reporters about the news, but full truth was never published, except in an article written by the author in the Sanctuary Asia magazine published from Mumbai. A team of a news channel passed a whole night to film the drama, but the cat did not give any opportunity. The village became famous; people had no fear from the leopard. Several people, including the Chief Wildlife Warden, Pradeep Khanna visited the village and witnessed the strange behaviour during this period; the Forest Department decided to trap it by arranging cages in the village.

Just when the story had attracted so much attention, the leopard disappeared for about a week. When it returned though, naturalists were on hand to document the relationship on film. Every night, normally between 9.30 p.m. and 11.00 p.m., the leopard would approach the cow from the surrounding fields. The cow would usually raise its ears before the cat’s arrival, seemingly detecting its presence from a distance. Village dogs too would bark to announce the leopard’s imminent arrival. And when it did arrive, the cat would first observe the surroundings from a distance, then move closer to the cow, rub the body with the cow and gently sit near it. At times it could be heard making a low gurgling sound that was difficult to describe, but certainly seemed submissive in nature. The two animals would often butt each other playfully with their heads. Once the cow seemed annoyed and actually pushed the leopard hard with its horns. At this the leopard merely moved closer and resumed its gurgling!

 The cow would sometimes lick the cat on its head and neck. Indeed, to many observers, it seemed that the cow was behaving towards the leopard as she would towards her own calf. On occasion the leopard, its suspicious nature still on display, would find excitable humans, including photographers, uncomfortable and it would slink into the shelter of the fields. All night vigils revealed that five to six trips a night were normal and on one night she returned as many as a dozen times.

 The author spent a few nights to enjoy these strange things happening there. One night, he reached Antoli at nine o’clock along with Rohit Vyas, Manoj Thaker, Tadvi (RFO) and other people. He fixed his camera in a hut where an old man slept. His chair in the hut was at about 10 metres away from the spot where the cow was sitting. The cow was young with a good height and reddish brown in colour with a white belly. Barring black spots on the leopard, the colour of the cow was not much different from the big cat. The author waited in the hut for over an hour and the old man started snoring while having a sound sleep. The man had observed the behaviour of the leopard for about two months’ time and knew everything. He said before sleeping that the leopard normally comes at about 10 o’clock but sometimes earlier also. The electric supply went off when we occupied over position. After some time, there was some disturbance and we saw the leopard just sitting beside cow when torch was flashed. The leopard moved away in darkness. The light was flashed in the direction which was normally opted by the leopard for arrival. The author saw the big cat sitting on heap of paddy grass. Out of two bulls, one was tied between cow and paddy heap where leopard sat comfortably. The behaviour of the bull was different. It remained standing, attentive and breathing heavily looking at the leopard. The big cat just ignored the attentive action of the bull which kept on standing in a tense mood. For the bull, the leopard was unwanted and dangerous, although it was not as violent as a bull would normally become in the presence of a leopard. Perhaps, after observing behaviour of the two friends, the bull had less fear. The cow kept on sitting fearlessly; the leopard again came close to the cow, rubbed the body with her and sat beside it just like a calf normally sits close to her mother. The author came out from the hut and went on the roof to see both the drama. At night at about 2 O’ clock it was decided to return to Vadodara when the leopard disappeared in the darkness. In the next visit of the Chief Wildlife Warden, the events were photographed.

After a few days, the two photographers had developed a perfect understanding about the arrival of the leopard. Sensing the presence of human beings, sometimes a crowd of over three dozen, the cat coolly moved close to the cow. Many times they played with their heads and then sat close to each other. It is very difficult to explain the communication between them in words. The cow received the big cat like her calf that had come near the mother to get affection. The leopard sat close to the cow, sometimes joining her body and sometime below the mouth and neck of the cow. In most of the cases it was like a sub adult cat sitting with mother. Sometime, the leopard used foot to get cow in standing position. After passing some time, the animal used to disappear in the field in the darkness, perhaps due to the disturbance of the photographers but came back after some time. The relationship between the leopard and the cow grew which was never observed or reported in the past. Many time both played with their heads. The cow licked leopard several times, sometimes very heavily covering entire head and neck.

 During the observation from November to January, the staff employed two cages at strategic locations with baits inside. Because of the strange behaviour of the leopard, goat, dog, puppy, hen and even meat were tried as baits but leopard did not enter the cage to kill the animals, although it inspected moving around the cages. The mission of capturing the leopard did not yield any result. It was finally decided to capture the animal using a tranquilizing gun, but the animal stopped coming to the site before the plan was operationalized. In the meantime, I again visited the site with the Chief Wildlife Warden (CWW) on 2nd December and stayed there over the night to see the drama, but the leopard did not visit the spot. One day before the visit, people of the village had a cultural programme with drums and songs at the site at night. Probably this event disturbed the leopard as visits were not regular after the disturbance. I observed the behaviour closely again with the CWW on 31st January. On 20th December the leopard injured a goat in the cage from outside. In December and January, people reported that plenty of puppies disappeared at regular intervals from villages as winter was a season for abundant newborn dog pups. God knows, it might be a harvest season for our leopard.

 With observers now almost permanently positioned, we came to learn that the leopard visited the cow continuously from October 8 to 22 and then from November 4 to 29. For some reason, between November 30 and December 29, the leopard stayed away. But it was seen in the vicinity. Then in the third week of January, the leopard seemed to vanish but visited again in the last week of February and stayed with the cow till early morning. Attempts to capture it in November and December proved futile, the wary animal steadfastly refusing to enter cages set out with baits, though it once tried to kill a goat from outside the cage. After over a week of regular visit, the cat again disappeared in February but returned for one or two days in first week of March. Reports from villagers indicate that the animal also visited neighbouring villages to procure food, mainly dogs.

 Nature lovers maintained contact with the villagers to collect fresh information. But the leopard did not return to the cow for reasons not known to anybody. Few months passed but nothing was heard, except indirect evidences of the leopard visiting the village occasionally. People believed that two leopards occasionally visited the village in 2004 but it was difficult to say whether one of them was the same leopard. Once a leopard killed a cow in the village and ate partly. Perhaps it had become a mature large cat and got a mate somewhere, but nothing could be confirmed.

 So, what is this all about? How come a predator and prey behaved in this incredible way? There have been many varying interpretations for the strange behaviour. Some suggest the female leopard captured in August was the mother of the sub-adult female we had observed, though from the photographs, she does seem fully grown.

At Peace With One Another

We know least about the habit and behaviour of these animals; even we are not fully aware about some of the mysterious behaviour of human beings. I could not understand why the leopard regularly met the cow and behaved in a manner which was not believed by people. It was more surprising to me that why a cow accepted its enemy and loved like she loved her calves. The author believes the young leopard may have been affected by the absence of its own and somehow detected some maternal qualities in the cow, which would have reassured her and helped her cope without her own mother.

 P.M. Lad, ex Chief Wildlife Warden of Madhya Pradesh, who had spent his entire life with tigers and leopards, was surprised to know the fact. His wife had kept a tiger cub at her residence which became an adult from there. Lad again explained the view of his wife that the cow was probably imprinted on the young leopard at a very early age, prior to its hunting instincts having emerged and matured. This may have led to the unusual relationship, since the cow too perceived no threat at all. It is likely that the cow had never encountered a leopard before and did not therefore ‘know’ that the two were meant to be sworn enemies.

 No one will ever perhaps be able to state with confidence, just what the truth was, but it is clear that the behaviour of both cow and leopard was strange and downright unbelievable. And then of course this is India! People more knowledgeable than forest officers and field biologists insist that the two animals had shared a close relationship in their previous births. Some priests hinted at a supernatural relationship. But nature is not telling us anything. Nature is full of surprises; there may be some missing link and we know little about it. Who knows about the truth? But such an unbelievable and unprecedented event was worthwhile to mention in this article/blog for future benefits of the people.

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